Simple Techniques in Writing
Deep POV
By V.S. Nelson
Writing
in Deep POV (point of view) has become increasingly
popular over the past twenty plus years. Although it has been around for quite
some time, it has become the most popular POV for writers, not only in romance
but most popular fiction genres. It is also the most desired POV by many
editors and agents currently seeking submissions.
So what is deep POV and how is it
used?
Deep POV
is third-person subjective which digs deeper into the soul of the character
which takes the readers into the head and heart of the character. This allows
your story to be seen and felt by the reader as though he or she is actually
experiencing the characters thoughts and most inner most feelings. What
the first-person POV accomplishes with the
I narration the deep POV accomplishes uses
the third-person
he
narration. The reader will see scenes through the viewpoint of the
character, feel the same pain the character does, and see the same scene as if
the reader is actually part of the story
Using deep POV an author can eliminate using terms like
she thought, he felt, and
he
saw. Phrases that were once necessary to let the reader know what was
inside the character’s head are replaced with the character’s thoughts in
italics or actions that show, not tell what is going on in the scene from the
characters point of view.
I have given you a few examples of changing the standard third person
writing to deep POV third person below.
3rd person POV
Mary believed she loved him. Sitting down on the sofa she made the decision
to tell him tomorrow when she saw him.
3rd person Deep POV
I love him. I need him. I’ll tell him.
Sitting down on the sofa….
3rd person POV
Alice danced
around the room. It is ridiculous, he said to himself, the way she acts after a
couple of beers. Mark smiled and handed her another beer.
3rd person Deep POV
Alice danced
around the room.
God, she’s a light
weight. Grinning, Mark handed her another.
So what do you think? Is Mark planning on getting her drunk? Add a few more
sentences and see where the story takes you.
Where the first-person narrator doesn’t have to identify his own feelings
and thoughts as
being
his own,
the third-person deep POV character does not have to repeatedly tell his
readers what he’s thinking, hoping, seeing or feeling. Readers automatically understand the
character’s thoughts, hopes, visions and feelings.
In addition to the above, the author who uses deep POV doesn’t have to
use
markers to tell readers what a character feels or thinks. The
author can simply remove a few
telling
words to accomplish this same effect. I’ve provided you with another simple
example.
Mary reluctantly held out her hand to the stranger.
She thought that there was no way in
hell he could be the ideal date she was promised by her best friend.
She wondered how she could back out of
this blind date gracefully. Remembering her high school days when people talked
about cooties, she pulled her hand back quickly and
felt the need to wipe her hand on her slacks.
Mary reluctantly held out her hand to the stranger. There was no way in hell
he could be the ideal date Susan promised her! How she could back out of this
blind date gracefully? Pulling her hand back quickly, she unconsciously wiped
her hand and his cooties on her slacks.
Can deep POV be too much… Yes.
Sometimes
staying in POV for the length of an entire story or chapter can
cause your reader to become antsy, almost to the point of feeling
claustrophobia. Remember to draw back, give the reader a breather and step away
from that deep POV while filling in the blanks by shifting your story
telling/showing.
Personal Insights into Deep POV.
When writing in deep POV remember to use words and phrases only your character
would use. Your audience has come to know and love your character just as much
as you do and your audience will know the minute you drop the character’s true
self, be it in dialog or in the deep POV writing. A character which is known as
a God fearing man will not use excessive cuss words while your typical bad boy
will. If you write historicals do not use modern language when you are in deep
POV. I know that is simplifying things, but it shows the point I am trying to
make. Like an actor’s script, let your character’s play the role they were
hired to do.
Deep POV
is also a great tool for stirring up conflict. By using a
variety of words; nouns, verbs and adjectives you can reveal your character’s
true emotion in POV. Use words which are meaningful to the character. Think
personal rather than impersonal. The only thing holding you back is your own
imagination.
If you’ve not experienced writing in deep POV, I encourage you to give it a
try. From what I’ve experienced, most readers today like the close relationship
with the characters in the novels they have selected to read. Practice writing
deep POV by getting into your character’s head. Study their speech and thought
patterns then bring them to life on paper by applying the simple techniques
deep POV offers. Compare the before and after versions and choose which works
best for you and your scene.