I’m not sure if I’m overly obsessed with research or
whether I’m just really good at choosing locations and subjects for my books about
which I know virtually nothing.
Over the course of writing my latest manuscript, I spent four
months researching the housing costs, landscape, street names, cemeteries,
restaurants, rainfall and average temperature, distance to other cities, architecture,
politics, economy, demographics, history, churches with obscure services,
vehicles, hotels, and a million other little details for the setting, even
traveling to the location to do some last-minute verification and get a
visceral feel for the place before finishing my revisions. Many other hours of
research went into the court system, public defenders, plea bargaining, magical
practices, mythology, poisons, alcohol, knife wounds, bleeding out, PTSD, and
even underwear. (My Google search history, I’m sure, has landed me on all kinds
of watch lists.)
As I started formulating a plan for my next manuscript even
as I was finishing the last, I tried to pick something that wouldn’t require
quite so much research, because I’d like to finish this one a little more
quickly. No sooner had a ghost of an idea entered my head than I was off to the
search engine, checking out property and land rights, maps, indigenous culture,
bars, and male strippers (yep, just slipped that right in there) for a new
setting. I’ve also chosen professions for my two main characters that I know
nothing about. There will be agriculture and animals with large heads involved.
And as I google LGBT-friendly wedding vendors in, of all
places, Billings, Montana, I have to wonder: why do I do this to myself? Why
can’t I just, as the adage goes, write
what I know? My mother gave me that advice when I was thirteen years old
after reading a story I was working on. She was probably right in that case; I
didn’t (and still don’t) know anything about what it was like to live near
Hiroshima at the end of World War II.
It would be great if I could tap the experience of my
personal career history and write an urban fantasy series about being a cop in
Louisiana or a crime series about being a forensic anthropologist
in Montreal. But writing about a heroine whose work experience spans essential
oil boutique clerk, bowling alley snack bar waitress, data entry specialist,
word processor, administrative assistant, web graphics designer, and editor
just doesn’t have the same punch.
I write about what I don’t
know because it interests me. Hopefully, I do a passable job of writing somewhat
knowledgeably about the situations and places I put my characters in, though I’m
sure I’ve made many mistakes. No doubt I could make my life easier by using the
city I live in as a setting, and giving my characters jobs I’ve done. But I
could also make my life easier by not writing at all. And what fun would that
be?
Guess I’m all in for the next ride, environmental activists,
gay cowboys, and all.
1 comment:
Great post, Jane. I do my research on the fly. I'll get to point in the story where I need some info, then one site leads to another and another and I'm lost in the research. Best wishes on your latest.
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