Showing posts with label The Tears of the Rose. Show all posts
Showing posts with label The Tears of the Rose. Show all posts

Thursday, October 16, 2014

Cloud Atlas - How Genre is Ultimately Irrelevant

I'm utterly thrilled beyond belief that RT Book Reviews gave the second book in my Twelve Kingdoms series, The Tears of the Rose, their highest possible review rating of a Top Pick GOLD.

Still in shock, frankly.

Especially since the first book, The Mark of the Tala, received their Seal of Excellence earlier this year for a compelling book that pushes genre boundaries. It's a neurotic writer thing, but when great things like that happen, we always figure the next book will fail to measure up. Alas.

The question of genre has long interested me, not only because my books "push genre boundaries" - a nice way of saying people are sometimes unsure how to categorize them- but because genre categories have such a profound influence on writers, readers, booksellers, librarians and so on.

Quite remarkable for what is essentially a false construct.

Something ably demonstrated by the movie Cloud Atlas. I finally got around to streaming this movie the other night and found it utterly brilliant. It's a complex movie requiring close attention, that tells six interweaving stories from different time periods. The spoiler-filled full synopsis is here. The shorter, vaguer one is:

Everything is connected: an 1849 diary of an ocean voyage across the Pacific; letters from a composer to his lover; a thriller about a murder at a nuclear power plant; a farce about a publisher in a nursing home; a rebellious clone in futuristic Korea; and the tale of a tribe living in post-apocalyptic Hawaii, far in the future.

What's fascinating is to break these six stories into genre categories. I checked the genre classifications for the movies each story thread most reminded me of. They'd come out as:

1. an 1849 diary of an ocean voyage across the Pacific - Action, Adventure
2. letters from a composer to his lover - Historical, Romance
3. thriller about a murder at a nuclear power plant - Thriller, Mystery
4. a farce about a publisher in a nursing home - Comedy, Drama
5. a rebellious clone in futuristic Korea - Science Fiction, Action
6. the tale of a tribe living in post-apocalyptic Hawaii, far in the future - Post-Apocalyptic, Adventure

So what genre is this movie? Well, they settled on the very neutral "Drama" and threw in a "Science Fiction" secondary genre. Likely as a warning. The book is categorized on Amazon as Historical Fiction, Literary Fiction and Fantasy. Quite the hodgepodge.

Of course, not every story is this complex or difficult to define. However, I think it provides an interesting case study that shows genre really is a semi-arbitrary classification system. I'm particularly fascinated that the genre drifted so much from book to movie.

Any other examples you can think of where that's happened?

Saturday, August 16, 2014

Sneak Peek at the Prequel to The Twelve Kingdoms

It's been really exciting, seeing my Twelve Kingdoms series take off. Last month on Paranormal Romantics, I talked about how much it meant to me for book one in the trilogy, The Mark of the Tala, to receive RT Magazine's June Seal of Excellence for a book that "stands out from all the others reviewed that month."

And it was crazy fun being at the RWA National Conference in San Antonio and having some of those same reviewers come find me and gush about the book. One of them, after the award was announced, told me this tweet had been about my books.
She was talking about the first chapter excerpt from The Tears of the Rose, which comes out November 25 and is up for pre-order now.

SUCH  a huge relief to hear that.

I think this is a common writer neurosis - or human neurosis, maybe - that you worry that what you do NEXT will be a failure. It's like this terrible flip side to success. A book you write is celebrated and immediately you start thinking, what if they all hate the next one?? What if I've peaked with that book?

WHAT IF MY WRITING CAREER IS OVER???

*cough*

Did I mention it's a neurosis?

At any rate, early readers are telling me they like book 2 even better and people are being lovely and wonderful by turning around and ordering The Tears of the Rose right after finishing The Mark of the Tala. Which is great, because it makes my publisher happy to see that. And right now they're making noises about taking the series to Frankfurt to maybe sell to foreign editors and that I can maybe do three more books after this.

So I can obsess about those, too. :-)

In the meantime, I'm starting up a newsletter that you can sign up for here. The first issue will include a prequel story to The Twelve Kingdoms trilogy, that previously was only available in an anthology. Here's a little sneak peek of that story, Negotiation. If you've read The Mark of the Tala, you might very well recognize these characters.



          Salena didn’t need to smell the blood to know the warrior was wounded.
          It showed in the sag of his body, the way he cradled his side, curling over it with that animal instinct to present the ridged spine to the cruel world, protecting the soft underbelly. 
          Nothing he did would protect him from her.
          She hung back in the shadowy grove, letting the snowfall muffle her scent and the stark lines of the forest disguise her shape. After so much watching and waiting, the moment was finally upon her.
          The man swayed in the saddle, barely conscious. His will, however, penetrated his fevered mind to keep him clinging to his horse while the stallion carried him to the one place Salena could never allow him to go.
          None of this surprised her.
          Very little did, really. Which could be both good and bad.
          In this case, only one real question remained. Which would this be?
          She’d seen this moment coming for most of her life. This pivot point for so many fates arrowing in from the beyond, like a meteor set in motion eons ago, just now hurtling into physical view. From her dome under the sea, her sacred seat of power, the images had played out for her, all the futures equally possible until the moment of decision, when the pattern of events became inevitable.
          For years she’d examined the outcomes, unable to discern which of her actions would trigger each. Now the moment was upon her. The next choices would set the course for her beloved land of Annfwn, for the larger world and, not incidentally, her own fate.
          Nothing would stop this meteor of destiny and the resulting destruction. All any of them could do was choose the point of impact. And by any of them, that meant Salena, because she was the only one who knew.
          She’d made her first choice already, just by being here. The warrior must not be allowed to enter Annfwn.
          The stallion nickered nervously, rolling an eye in her direction. Not seeing her yet, but catching her scent perhaps. Or just sensing the presence of death, the predator in the forest. She padded nearer, the horse dancing aside, into the deeper snow off the path.
          The warrior grunted, pain jouncing him into greater awareness, his hand going even now to his sword hilt, as if he could swing it. He would be easy to kill. In her wolf form, she could overmatch the weakened man. His blood would run hot and sweet in her mouth and so many things would never happen. Especially for her. Her life would be reasonably good if he died now, alone in this forest he should never have entered. A short-term solution, oh so tempting in its simplicity. More, the outcome beckoned—Salena would live out her days in Annfwn, perhaps not happily, but not in misery.
          It galled her to see past the short-term, to the chaos of civil war, the death, disease and starvation that would grow so large that the festering would eat into Annfwn itself. Not tomorrow. Not next year. Probably not even in her lifetime. Another woman would have pretended not to see it, would have turned her face away and enjoyed the now for what it was.
          Salena herself would have done it, before her baby died. Before Tosin took the coward’s way out and killed himself.
          Grief taught you things.
          Salena would never again ignore the portents, never again place blind faith in joy.
          She slunk closer, letting the horse sense her now, the glimpse of a fang in the shadows, not too much. Just a hint of canine musk, of danger. Not this path. That way, towards the only choice she could make—saving the man who would be her slow destruction.

Monday, June 16, 2014

On Going Long

I tend to be a concise writer. Always have been.

See?

 No, seriously, I started out writing short essays because it's a natural form for me. Same with poetry. Even my Masters Thesis was the shortest in the department and it had been a PhD project I cut bait on. (Long story there.) It took me some painful practice and effort to write novels, and they still tend to be on the compressed end. My developmental edits always, without fail, mean adding more words. Usually 6,000-10,000. I can pretty much set my spreadsheets by that expectation.

The first two books in my Twelve Kingdoms trilogy came out around 100,000 words by the time all the edits were in. But The Tears of the Rose went from 89,198 at the first draft to 101,260 with copy edits complete. And the first book, The Mark of the Tala, went from 90,822 to  102,962.

Like clockwork.

So when I started writing book three, The Talon of the Hawk, I knew I was looking at about 100,000 words. This matters to me because I plan on how long a book will take me to write. I have a steady line up of contracted deadlines right now, so I need to strategize my time.

Imagine my dismay to reach my usual first draft waterline of ~90K, only to discover that I easily had another third of the story yet to tell.

Some of this comes of it being the third book in the trilogy, with a great deal of overall arc to wrap up. A lot of it comes from writing the story of an extremely hard-headed heroine who does not change easily. Suffice to say, for the first time since I've had contracted deadlines, I've missed one. Technically my editor gave me an extension. But the book was due June 1 and I didn't make it. Today is June 16. As of this writing, I have 117,201 words written and probably will hit 125,000.

Before edits and revisions.

Fortunately my editor is good with that, too. "Fantasy can take the longer word count," he says.

We'll see what he says after he reads it. :-)