In ghosts?
I do.
Maybe not to the extent that I would have to call in the above guys (which btw is one of my favourite movies of all times hands down).
As for ghost. Hell, yeah. I believe in them and I've had my own encounters. Thankfully, I have never been "slimed". I'll leave that to Venkman, Spengler and Stantz.
I love watching Ghost Hunters (TAPS) big time, but I've never done a ghost hunt like they have and I don't think I could.
Here's why, because I've had too many encounters and I don't think I would last one night in a supposedly haunted place, especially if I had the sense something was in there. I have a sixth sense. No I don't see dead people or anything, but I can sense things.
Sometimes I hear things, but mostly I know when something is there and watching.
There are a few places I won't visit, the main one is Carleton Gaol in Ottawa. Just looking at that place gives me bad vibes, but I managed to do a night tour of Alcatraz and nothing happened. In fact, the people there thought I was pretty gutsy to be by myself on the tour (granted there were others around, but I wasn't with anyone) at night.
Meh. I got no vibes from Alcatraz ... and TAPS didn't either. :)
Another place you'll never see me go near, Rose Hall in Montego Bay Jamaica. No thank you. Something's not right there either.
My brother is a correctional officer and on nights at one of Canada's oldest jails, he's seen some stuff. Stuff that scared him and not much does given his job. So you probably won't see me at his job location.
My closest encounter was right here in London, Ontario at Elgin House, but it wasn't by any means malevolent. I think it was just trying to get my attention. I was standing next to a closet, which was closed and behind a velvet rope. My aunt, who has the same sense as me, was with me. The door opened on its own and SLAMMED shut on its own.
I said, "Hello?"
My aunt looked at me as if to say. "Yeah, whoa!"
And then we moved on. The prickly sensation of being watched disappeared.
So my question for you is, do you believe in ghosts? If so, have you had any experiences or would you go on a ghost hunt?
Tuesday, July 10, 2012
Monday, July 9, 2012
Rejuvenation for This Writer's Soul
It's July, and I can say that honestly, it's not that hot here compared to last year. At this time last year, we had been in the hundreds for weeks. It was so hot that the pavement burned my feet even after the sun went down at night. We've been swimming, writing, job hunting, and getting ready for RWA Nationals in Anaheim this year.
RWA Nationals
I love this event, in large part because I get to see friends that I only see once a year at Nationals. Nearly all in attendance are authors—they speak my language as it were—and they don’t' look at me like I'm cuckoo for Cocoa Puffs when I gripe about stubborn characters or worse, loud ones. They get me. I get them.
We're going to be right next door to Disneyland and Disneyphile that I am, I want to try and escape into the parks at least one of the days of my visit. I also have a lot of good friends on the West Coast, dear friends that I rarely get to see, so hooking up with them will be a plus. Definitely one of the most magical places to reconnect not only with old friends, but also myself.
Painted Desert
One of the best parts of Nationals this year will be driving through the desert in New Mexico and Arizona. I love to stop at night, in the middle of nowhere and actually see the Milky Way. After years of city living, it's heartening to look up and see the galaxy we're a part of. So often, as a writer, I get caught up in the worlds that I create and inhabit in the bits and bytes of my computer screen. I forget to look at the world around me and truly appreciate it.
A drive through the desert is one way to remind me of this greater world, this universe we're all a part of.
Sunset on the Pacific
Anaheim is also not that far from the Pacific Ocean—definitely not as far as it is from where I live. I plan to escape the hotel and venture down to the beach. I want to sit there, somewhere along the shore, with the wind brushing my cheeks, the smell of the salt air and the sun setting into the water.
Pure magic.
Rejuvenating the Writer's Soul
Last year at RWA Nationals in New York, I made a commitment to myself and this year, I get to celebrate the one year anniversary of that commitment, celebrate the accomplishments I've made and celebrate the world that I live in. As an author, I get to live a thousand lives, but as me, I only get this one. I can't wait to enjoy every moment of it.
What are your plans this July?
RWA Nationals
I love this event, in large part because I get to see friends that I only see once a year at Nationals. Nearly all in attendance are authors—they speak my language as it were—and they don’t' look at me like I'm cuckoo for Cocoa Puffs when I gripe about stubborn characters or worse, loud ones. They get me. I get them.
We're going to be right next door to Disneyland and Disneyphile that I am, I want to try and escape into the parks at least one of the days of my visit. I also have a lot of good friends on the West Coast, dear friends that I rarely get to see, so hooking up with them will be a plus. Definitely one of the most magical places to reconnect not only with old friends, but also myself.
Painted Desert
One of the best parts of Nationals this year will be driving through the desert in New Mexico and Arizona. I love to stop at night, in the middle of nowhere and actually see the Milky Way. After years of city living, it's heartening to look up and see the galaxy we're a part of. So often, as a writer, I get caught up in the worlds that I create and inhabit in the bits and bytes of my computer screen. I forget to look at the world around me and truly appreciate it.
A drive through the desert is one way to remind me of this greater world, this universe we're all a part of.
Sunset on the Pacific
Anaheim is also not that far from the Pacific Ocean—definitely not as far as it is from where I live. I plan to escape the hotel and venture down to the beach. I want to sit there, somewhere along the shore, with the wind brushing my cheeks, the smell of the salt air and the sun setting into the water.
Pure magic.
Rejuvenating the Writer's Soul
Last year at RWA Nationals in New York, I made a commitment to myself and this year, I get to celebrate the one year anniversary of that commitment, celebrate the accomplishments I've made and celebrate the world that I live in. As an author, I get to live a thousand lives, but as me, I only get this one. I can't wait to enjoy every moment of it.
What are your plans this July?
Labels:
author,
heather long,
rejuvenation,
writer
Heather Long lives in Texas with her family and their menagerie of animals. As a child, Heather skipped picture books and enjoyed the Harlequin romance novels by Penny Jordan and Nora Roberts that her grandmother read to her. Heather believes that laughter is as important to life as breathing and that the Easter Bunny, the Tooth Fairy and Santa Claus are very real. In the meanwhile, she is hard at work on her next novel.
Sunday, July 8, 2012
More about worldbuilding -- SFR
I happened to be thinking about worldbuilding quite a bit this week, so this fits nicely with Stacey's blog from yesterday. Adding to her great post, I'd like to talk specifically about creating a world for a Science Fiction Romance and underline her theme of making the world believable.
When creating a Science Fiction world for Romance readers, there's a balance that is struck between the two genres. Some authors use more details, paint their worlds with either lush descriptions or with believable tech/bio that is scientifically based. Or perhaps the author uses a mix of the two. It goes without saying that there will be a romance, there will be characters who grow, there will be a plot and there will be tension and conflict. But what varies widely within this subgenre is the amount of reliance on science (or even social discourse--some SF is solely based on social commentary).
Take for instance, a near future SFR. The science involved could be light. The world might be much like what we have today. The worldbuilding could involve slight changes, or an alternate history. Maybe the biggest difference is that the Allies lost WWII and Hitler shaped the world as we know it. Whatever the case may be, some stories are themselves not based on a technology or high tech.
Whichever way it goes, a story of any genre should still paint the story in a complete way. If a technology is used, the reader doesn't need to know how it works. All the reader needs to know is that Doo-hickey-Number-Five does work. If the science of doo-hickey is important to the plot, then by all means, the reader should be introduced to that science. If the plot only needs to use the tool, then all we need to know is that if you put gas in a car, it runs. The mechanic can figure everything else out for us if it goes wrong.
What is a mistake is for us to skip an entire section of a story to gloss over how a doo-hickey might work. This can create an incomplete story, not just flawed worldbuilding. For instance-- Scene One: The colonists must evacuate their planet, or everyone dies. Oh, and in ancient history, someone might have mentioned a way to leave the planet. Cut scene. Scene Two: Five years later, the colonists are on a new planet but we have no idea how they got there.
Now, we don't need to know exactly how the science might work for the colonists to end up on another planet. There are all sorts of interesting things that could happen-- There's this dimensional machine that's been in the basement of the military base. There's this funky experimental spaceship. A special device creates a wormhole. None of these need the science explained, but even if a story avoids going into the details of tech, a plausible explanation still needs to happen in the story itself. Same as it would happen in real life. Say there's a thriller where the hero is in jail for a crime he didn't commit and he needs to get out to save the heroine. The next scene can't jump to his being out of prison and saving her--no mention of how he got out of prison. We need to see how he managed that feat, even if we don't know the details of a legal brief that got him released, etc.
Bottom line, taking shortcuts in worldbuilding can be harmful to the story itself. The details might not be important, but the large barebones need to be there if that science is important to the plot.
So, don't forget to gas up the car!
***
Ella Drake is a dark paranormal and science fiction romance author. You can find her on Twitter, Facebook, & Goodreads.
Her latest releases are Desire the Banshee an erotic paranormal romance from Ellora's Cave & Desert Blade, a near-future post-apocalyptic romance from Carina Press. Coming soon, MetalMark (Lyrical Press). Other work includes The Forbidden Chamber, Silver Bound, Jaq’s Harp, Braided Silk & Firestorm on E’Terra.
When creating a Science Fiction world for Romance readers, there's a balance that is struck between the two genres. Some authors use more details, paint their worlds with either lush descriptions or with believable tech/bio that is scientifically based. Or perhaps the author uses a mix of the two. It goes without saying that there will be a romance, there will be characters who grow, there will be a plot and there will be tension and conflict. But what varies widely within this subgenre is the amount of reliance on science (or even social discourse--some SF is solely based on social commentary).
Take for instance, a near future SFR. The science involved could be light. The world might be much like what we have today. The worldbuilding could involve slight changes, or an alternate history. Maybe the biggest difference is that the Allies lost WWII and Hitler shaped the world as we know it. Whatever the case may be, some stories are themselves not based on a technology or high tech.
Whichever way it goes, a story of any genre should still paint the story in a complete way. If a technology is used, the reader doesn't need to know how it works. All the reader needs to know is that Doo-hickey-Number-Five does work. If the science of doo-hickey is important to the plot, then by all means, the reader should be introduced to that science. If the plot only needs to use the tool, then all we need to know is that if you put gas in a car, it runs. The mechanic can figure everything else out for us if it goes wrong.
What is a mistake is for us to skip an entire section of a story to gloss over how a doo-hickey might work. This can create an incomplete story, not just flawed worldbuilding. For instance-- Scene One: The colonists must evacuate their planet, or everyone dies. Oh, and in ancient history, someone might have mentioned a way to leave the planet. Cut scene. Scene Two: Five years later, the colonists are on a new planet but we have no idea how they got there.
Now, we don't need to know exactly how the science might work for the colonists to end up on another planet. There are all sorts of interesting things that could happen-- There's this dimensional machine that's been in the basement of the military base. There's this funky experimental spaceship. A special device creates a wormhole. None of these need the science explained, but even if a story avoids going into the details of tech, a plausible explanation still needs to happen in the story itself. Same as it would happen in real life. Say there's a thriller where the hero is in jail for a crime he didn't commit and he needs to get out to save the heroine. The next scene can't jump to his being out of prison and saving her--no mention of how he got out of prison. We need to see how he managed that feat, even if we don't know the details of a legal brief that got him released, etc.
Bottom line, taking shortcuts in worldbuilding can be harmful to the story itself. The details might not be important, but the large barebones need to be there if that science is important to the plot.
So, don't forget to gas up the car!
***
Ella Drake is a dark paranormal and science fiction romance author. You can find her on Twitter, Facebook, & Goodreads.
Her latest releases are Desire the Banshee an erotic paranormal romance from Ellora's Cave & Desert Blade, a near-future post-apocalyptic romance from Carina Press. Coming soon, MetalMark (Lyrical Press). Other work includes The Forbidden Chamber, Silver Bound, Jaq’s Harp, Braided Silk & Firestorm on E’Terra.
Saturday, July 7, 2012
Making the unbelievable—believable!
World-building
is tough, especially if the idea for your story is so far out there! So, how do you take an idea that no one would
believe and make it believable? Prove it!!
PROVE YOUR WORLD
It doesn’t
matter if you have vampires, trolls, or even gremlins…you need to make the
world real. The characters have to
interact with their world to give the reader the sense that this new world
you’ve created actually exists. Give lush descriptions. Create laws. Get
creative!
If the
story is set on another planet, describe little details that show what it’d be
like to live there. What’s the air like? What does the ground look like? What do
things smell like there? It’s important to create the setting in a way that
allows the reader to feel like they’re a part of it.
If your
vampires can go out into the sun, you can’t just throw that out there and not
comment on why. If what you have created is different than the norm, you have
to prove that point so there is no question as to how and why it works. If not,
the reader will be instantly left with the feeling that it’s not believable.
MAKE YOUR CHARACTERS REAL
This is
probably the most important. Emotions are a huge part of writing that allows a
reader to connect with a character. For an example, if a character can converse
with the dead, it’s important to show right out of the gate how she deals with
this. Since it’s unusual, the character would have a strong reaction to the
gift they have. Do they like it? Hate it? How do others look upon it? Or do
they not know? Is it a secret and needs to be hidden? If so, how is this secret
kept, and how does the character feel about the burden of such a secret? This
is the foundation for creating a character that’s relatable.
Then, allow
your characters to be emotionally involved in their world. If your character
can see ghosts, and she dislikes the ability, allow her to show her
frustration. Don’t make a character just go with the flow and accept everything
that happens with a smile. If it’s an unusual situation, any normal person
would have a huge emotional response—anger, sadness, or even irritation. The thing
is, when characters are too strong or too easy going, it will take the realness away from them because everyone
has emotions. The stronger the emotion, the better!
If your
hero is a shifter in a world where shifters shouldn’t be, it’s important to
keep him as real as you can. The trick is writing him in a way that makes the
reader forget what he is, and instead
focuses on who he is. And that only
comes from writing a real hero that any woman couldn’t refuse, no matter if he
is a ghost, vampire, or scaly beast! If he exists in a world that doesn’t
accept him, he needs to feel
something from that. Either anger at the world, or self-assurance that he
doesn’t care. But having him interact with the world in an emotional way allows
a reader to truly understand him.
STICK TO YOUR WORLD-BUILDING
If you’ve
created a world that has laws—ie, kill a mortal and you shall die! It’s
important not to just tell these laws and how the world works, but show them. Have
one of your characters break a rule and show what happens. Or introduce a new
character that hates the rules and fights against them. It’ll add awesome
tension, all the while showing how your world works.
If a mortal
gets killed, and someone must die, what are all the steps that have to happen? This
is when you can create some terrific world-building aspects. Who hunts the
killer? What happens once he is caught? Does he have to go through a trial? Is
he killed on the spot? It’s all these little details that make a world strong. And
this can play into the emotional element—how does your character react to these
rules? Does he/she struggle with taking a life? Believe in it? These details
are what make a world work just like our own, so the more small details, the
more believable and richer the story will be.
PROVE YOUR STEAMY SCENES
I admit
that this one can get very tricky! How do you have a love scene between a woman
and a vampire, if a vampire is an abomination? It’s not easy! But the most
important thing to remember is all the above. If you make your characters real,
experience emotions that help them come to the conclusion that this is normal,
then your readers will feel it too.
If you have
woman go from not thinking sexy things about at vampire to then jumping into
bed with him, your readers won’t believe it. But if you build tension, show her
fighting the attraction, and coming around to the idea, then it’ll work. Allow your
readers the chance to accept that the character has put thought behind her
decisions and show why she’s agreed.
The key to
making the unbelievable—believable is you have to show the reader why they should
accept it. You can’t leave anything up in the air. Present it all right out in
front with descriptions, interactions with the characters and their world, and
always big emotional responses—all of this only strengthens your world-building.
~*~
Stacey Kennedy’s novels are
lighthearted fantasy with heart-squeezing, thigh-clenching romance, and they
even give you a good chuckle every now and again. But within the stories you’ll
also find fast-paced action, life-threatening moments and a big bad villain who
needs to be destroyed. Her urban fantasy/paranormal and erotic romance series
have hit Amazon Kindle and All Romance eBooks bestseller lists.
The journey as a writer all began when I was a teen and wrote poetry, which still to this day I pull out to have a good laugh. Later on, I tried a couple of times to put a book together with no such luck. Couldn’t ever get past the first few chapters. But once I was exposed to the paranormal world, ideas came quickly.
At first, it was a way to keep my brain alive since being a stay at home mom can be a little let’s say―numbing. It was an escape from screaming kids, dirty diapers and plain old mom duty. It started as a hobby, but as the stories progressed it became a passion. Now, I indulge at nap time, especially the juicy bits! Every mom needs a good thrill!
So here in Kitchener, Ontario, I am a thirty one year old wife, mom, house cleaner, cook, teacher, play-doh extraordinaire, swing pusher, toddler chaser after – who loves the outdoors, curling up with the latest flick, and if I’m not plugging away at a new novel, I’ve got my nose buried deep in a good book. So there it is―my life!
Friday, July 6, 2012
Things I’ve learned on my writing journey.
1. The first offer isn’t always the best. Research before
you submit and know what you are signing when you receive that contract. Agents
are not a bad idea, if you can get one. www.agentquery.com is a great place to
get started. If not, there are books out there that cover contracts and the
meanings of the clauses in them. I have The Writer’s Legal Guide, an Authors
Guild Desk Reference by Tad Crawford
& Kay Murray, which I refer to often.
2. The money flows toward the author. If a publisher or
agent is asking you to pay for publication, or to read your manuscript, run,
don’t walk away. Wash and repeat, “The money flows toward the author.” Visit:
http://pred-ed.com
3. Your work is copyrighted from creation, but to fully
protect your rights, file with the U. S Copyright Office. The $35.00 is worth
the peace of mind. (even if pirates will try to ignore it) www.copyright.gov
4. Pirates are scum-suckers you can’t ignore. If you see
your story up on a pirating site, send them a takedown notice. Yes it’s
annoying and it seems never-ending, but if you ignore it, it will get worse.
Join a group that fights piracy. Educate your friends and family about it. You’d
be surprised at how many think the innocent sharing of a song, movie or book
doesn’t hurt anyone, but while a paperback passes from hand to hand, an e-book
could pass from one person’s hands to thousands, who in turn can copy and send
to someone else. Many teenagers don’t realize the implications of sharing one
file, and it runs rampant among them. Educate them. It’s a snowball effect. This
includes downloading music, movies, computer software, anything that can be
pirated. Lead by example, and if you really want to share a story, music, or a
movie with a family member or friend, buy them a copy. Watch those blog posts
too. Often authors use photos that are copyright protected and are not aware.
If it isn’t in the public domain, or you didn’t purchase the right to use it,
tread carefully or you could be infringing on someone’s intellectual rights. If
someone offers to share intellectual media with you, tell them you’ll buy your
own copy. It’s the right thing to do. And one last thing... Keep up to date on
what is going on with laws being put into effect to combat piracy. Not all are
good for the owner’s of intellectual rights. In short—Know thy enemy and the
laws that govern what they can and can not do!
5. Read. If you want to be a published author, or you are
and want to move your career forward, read. Know your genre. Know what is
selling and why. Know what makes a book a good read and what makes a book a not
so good read. Go ahead, read those reviews, but form your own opinion. The more
popular a book, the more trolls it will draw and frankly, not everyone has the
same taste. What one person raves about, another may despise.
6. Ignore the trolls. The comments they make on blogs and
forums are there to draw you out, and if you give into the urge to comment, it
will backfire on you and you better brace yourself for a lamb-basting. You don’t
want to be labeled as “An Author Behaving Badly.”
7. Fifty percent of being a successful author is about
promotion. Your publisher will not do it for you, not unless you’re a NY Times
Bestseller and even then, it has to be in the budget. Don’t like blogging,
talking, networking? You better get used to it. It’s a necessary evil. Get a
website and make it reader friendly. Easy to navigate. Easy to buy your books,
and easy to see what you are working on now. Most of all, keep it up to date
and post something new weekly. Changes will bring your visitors back to see
what’s new. Neglected blogs fall by the wayside. If you have a cover on your
site, please link it to where they can buy it. Think one click sales. Impulse
buying is your friend. Use it to your advantage. When you blog or network, don’t
make it all about promoting your most recent book. Don’t spam your readers. Talk
about your latest project, tips on writing, share amusing stories. Build a
relationship with your readers and they will buy your books. Constantly spam
them, and they will run.
8. Be accessible. Nothing is worse than reading a book you
love and wanting to drop the author an email and tell them how much you adored
it, only to find there is no way to reach out to them. What does this mean?
Have a contact form on your web page, or an email used exclusively for readers
to contact you. Put your website address and links at the bottom of all your
emails. A lot of traffic to your blogs and website come from these. If a publisher or agent has read something of
yours and they just have to talk to you, and they meet with a dead end, they
will stop there. Every now and then they do come looking. It happened to me. Don’t
do yourself a disservice. Be accessible.
9. Be professional. Whenever you post, think about what you’re
saying before you hit send, or publish it to your blog. Readers may not
remember the nice things you said, but they never will forget the nasty things.
Tact at all times. And for God’s sake, ignore the trolls.
10. Critique groups and beta readers are not an option, they
are a necessity. You will need them to help polish your manuscript before you
submit it anywhere. Many a new writer gets a rude awakening when they discover
an editor isn’t there to polish their rough draft. They are there to make a well-written,
already polished story, great. Critters will see things you don’t, and offer
suggestions that may open up avenues you didn’t think about. They help catch
typos and grammar errors, and keep you looking like the professional you are. And
when they do you a favor, be kind and return it.
11. When you receive good advice, share it. You were not
always a published author, and sometimes you had to learn things the hard way,
and at one time someone may have given you good advice that made all the
difference in your career. Go ahead, help another writer out. What goes around,
comes around, and we are all in this together.
12. Publishing credits aren’t necessary to get an agent, but
most won’t look at your story if you don’t have them. To get the big contracts
you have to have an agent. To get an agent you have to have publishing credits and
a well-honed knowledge of how to write a damn good story. Go out and write some
shorts and get them published, build your credits, learn your craft, and then
go back, wiser, published and seasoned. It will make a difference in the way
you are received.
13. It’s not in print. So what. Stop stressing over it,
already. Just because you can’t sign a physical copy doesn’t mean you can’t
sign a t-shirt with the cover of your book on it (which also makes a great
walking billboard), trading cards, a postcard, or Kindlegraph. All you need is
a sharpie and your imagination. You’re still a published author. So, wear that
badge with pride and stop fretting about if it will be in print, or not. E-publishing
is the future. Those that adapt, will survive. Be a survivor and don’t let that
your novel is an e-book, discourage you. You’re e-published and have the
biggest audience out there, don’t restrict your promotion to four walls and a
ceiling. Brick and mortar is nice, but the average author sells 4-5 books at a
signing—if they are lucky. Readers who shop for e-books buy an average of three
books at a time and you are not even sitting in front of them. Direct them to
your site and one-click buy links and nifty promotional flash they will love
and can collect.
14. Your voice is your own. Unique or subtle, it’s your
voice. Don’t try to write with a voice that doesn’t belong to you. Have faith
you will tell the story you need to tell, and do it the way you were meant to.
Embrace who you are and what you love to write, and the rest will fall into
place.
15. Finish one story before you start another. (This is a
lesson I’m still working on.) It’s easy to get distracted by the voices in your
head and the dynamic ideas that come to you while you dream, or during a boring
business meeting. Write the idea down, save it to an idea file and then get
your ass back on task, because your breakout novel will never get written if
you keep flitting from partially finished novel to partially finished novel.
16. Romance isn’t any easier to write than any other genre.
It is a common misconception that some genres are easier to write than others.
This is not true. It is however true, if you write what you’re comfortable with
and love and read that genre, it comes easier. Don’t try to force a horror
story out of your muse if she is an erotic romance girl. It won’t work, and you’ll
get frustrated.
17. Congratulations, you’re a published author and fair game. Thicken your hide. If you can’t take critiques on your manuscript
before you get a contract, you won’t be able to take the flaying your editor
gives you when he or she gets a hold of it. I had a manuscript I thought I’d
scrubbed clean, that bled red ink by the time my editor went through the first
pass. And that’s just the beginning. Once you publish, your work is out there
for review and not everyone is going to love it and they are going to share
what they didn’t like with the world, whether you want them to or not. A great
way to blow off steam is to get a rant buddy you privately let it all out to.
Keep it between you and let it go.
18. Raise the stakes. Make the situation as unpleasant for
your characters as you can. They can’t grow if they don’t start at dirt level.
Always ask yourself, what will happen if my hero or heroine don’t succeed, and
then make the consequences worse. High stakes=high tension, and a book your
readers won’t be able to put down.
19. Be kind to your agent and editors. They work hard. Don’t
email or call them constantly for updates, your book isn’t the only one on
their desk. Take the time to thank them for all they do. We all need to hear
that once in a while, and editors don’t get nearly enough credit and praise for
what they do.
20. Write because you love it. Publish because you want to
share that love.
Have a great weekend,
D L
Thursday, July 5, 2012
Fallen Kitty
R.I.P. Patches
She was loved so very much!
...and I'll always miss her.
Looking at old pics reminded me of just how much Patches meant to me. She was just a tiny thing--7 pounds of pure calico visciousness! I stole Patches from her mother when she was close to a year old, she bit me then and retained much of her feral streak till the end. Yet, somehow, she was the one of all my furfriends that, when she deigned to be home, always sat with me when I worked. If I moved from the chair, she captured the spot and sometimes refused to budge when I returned!
One of the first stories I wrote, the only ever done in first person was inspired by her beautiful multicolored hair. I remember finishing it, doing the cover (which I was very proud of considering my limited ability!) and putting it on Scribd. Guess you could say it was my first foray into self-publishing and in just a few days it had a flame meaning people actually read something I published!
Anyway, today I thought I'd post the short story from 2008 here in honor of Patches and I hope you enjoy it, errors and all, because it was never professionally edited!
“Here kitty, kitty. Here Kitty.”
I listened to his melodic voice from my perch high atop the
old stone masonry pillars. I sat here and, night after night, I watched the
world sweep by. I now anticipated seeing him, hearing him. My heart broke a
little each night that he walked right beneath my seat. Never looking up, he
called to his elusive kitty. Never seeing me.
Tonight my ears were struck painfully by the sad timber of
his voice calling and calling in the darkness. Where was his kitty?
It seemed darker than usual tonight. The heavy clouds
marched silently across the sky hiding the full moon. There wasn’t a star in
sight. Hot and sticky, I fidgeted around on my seat. The rain clouds threatened
to burst at any moment, and I wanted them to hurry. It would be one of those
storms that would be violent and brief, leaving the moonlit sky clear, with the
stars bright and twinkling. What if it's too dark for him to see. I hoped
tonight he would find his kitty.
“Where are you Kitty? It’s time to come home.”
It was a cloudy night but I knew his hair was ebony with
silver lacing through it. I knew it brushed below his shoulder blades. On
nights past, I watched the moonlight dance on the unruly waves that wound just
past his shirt collar. And I knew his eyes were as gunmetal gray as the thunder
clouds that paced agitatedly overhead. He came this way often the last six
nights, his voice preceding him in the dark. Tall, with an athletic build, his
muscular legs would eat up the sidewalk as he strode in my direction. I watched
him pass me by every time.
The dried smudges of paint left from his afternoon's work
laced his fingers and streaked his tee shirt. It smeared across his broad chest
in a riot of colors—cornflower blue, burnt orange, sunflower yellow and
brilliant red. The pattern from wiping his hands left an abstract vision of a
wildflower garden dancing above the hard plains of muscle that made up his
stomach. On him the paint wasn’t out of place. He was an artist who
during the day sometimes carried his easel past me to the park. His large hands were strong and sure. His kitty probably
loved being stroked by those hands. Did he leave colors streaked through
kitty’s fur?
“Here Kitty…”
I heard his voice fade and knew he turned into the alley
that ran beside the old mansion behind me. The wrought iron fencing completely
surrounded the property, which had long ago been abandoned. Rumored to be
haunted, I never saw the ghost people whispered about and I had a lofty, high
up seat from which I could view the grounds.
Just cats, lots of cats.
My family left long ago, leaving me the only resident of
the mansion. My sister used to sit and watch with me but she left last year. My
home was in need of a good deal of masonry work and paint, but it was still a
beautiful, proud place. Magnolia trees lined the perimeter, along the fence.
When the gates opened, ornamental pear trees that bloomed with a cascade of
tiny white flowers every spring lined the road leading to the front of the
house. Of course my garden appeared a little overgrown, but still beautiful in
a wild way. The way I liked it. The cats like it too. They're safe here.
I heard him calling and I knew he stopped occasionally to
peer inside of the fence. Looking for his kitty. If it was a clear night I'd be
able to see him.
A fat drop of water splashed my forehead and dripped down
my face like a teardrop. Another and another. Here comes the rain.
Lightning streaked the sky far away, followed by a rumble
of thunder. It was coming hard and fast. I knew he would be drenched when he
came back this way. And I silently waited. I watched the sky lighting up like
the fireworks from the carnival that left town only last week. Summer is coming
to an end. But the sultry hot days still beat down on me. I loved the evening
hours. They provided some respite from the heat.
The lightning grew closer now, thunder booming distantly
across the hills. Soon the storm would be right over head. The lightning would glance
off of the iron fencing and send shivers up my spine. But I would stay. The
rain washed over me making me feel clean and fresh. I waited for him to return.
Maybe he'd see me this time. I preened, I fluffed my now soaking wet hair. And
waited.
“Kitty, if you’re here come out? There’s a storm coming.”
His footfalls moved my way. He would turn the corner and
come towards me anytime now. The next bolt of lightning flashed dangerously
close to where I sat. My chest bloomed with the electricity of excitement. My
turn to leave home. I'm the last one.
My breathing got harder, my heart raced and the blood
pounded through my body with a sound that matched the thunder in the heavens.
Surely he'd hear my heart beat when he came by this time? He would see me.
The sky lit up in a ferocious display of blue light as the
clouds released more rain in a torrential downpour. Thunder and lightning
warred for supremacy of the sky as I waited.
“Kitty, please come out now?”
He's almost here. The rain beat down so hard I couldn't
make out his form. But I heard his boots hit the sidewalk as he headed my way.
Suddenly a bolt of blue light struck at my feet blistering
hot in its rage and I jumped down, landing lightly on the cracked, decaying
sidewalk in front of the mansion’s gates.
My rain drenched, multihued hair fell forward in a powdery
spray around my face. I stood quickly and pushed it back, my green and brown
eyes searching the darkness for him. Where was he? I no longer heard his
footsteps. I couldn’t see him through the sheets of rain falling. What was
wrong with my hearing? It seemed dull and muffled. I sniffed at the air and
found my sense of smell also distorted. What happened? Did the bolt of lightning
damaged me in some way?
“Are you okay Miss? Can I help you?”
Eye level with his chest, I looked up into his gray eyes.
Desire blazed back at me. How did he get this close without me knowing? I started
to shake violently, sick with fear. What’s happened to me?
“Miss, you’re drenched,” he said as he took his shirt off
and pulled it over my head. “What happened to your clothes? Did you come from
the mansion?”
He peered around me to the still locked gates of my home. I
needed to get back inside. Fast. I just dumbly stared at his now naked chest
which dripped with rivulets of water that ran from his own wet hair.
The rain stopped altogether, as though a stopper had been
placed in the quickly disappearing clouds. The stars blinked in the now clear
sky and the full moon glared bright.
“Miss?” He waited for my answer.
“I need to go back.” My reply so quiet, I didn’t hear
myself speak.
“Back where?”
I pointed up to my seat, my high up perch by the gates.
“This is a bad storm. I’m sure the damage can be repaired.
How do you get inside? I’ll help you.”
“I’ve never been out before, I don’t know.” Tears began to
slide down my face so rapidly I thought it rained again. How could this be
repaired?
“Come on, let’s try the lock.”
He pulled me along behind him to the gates. Where's the
key? How would I get back in?
He tugged at the rusted lock on the gate and it dropped
open with a clank. He put his hand on the small of my back and ushered me
through the opening. He turned to close the gate back, leaving the lock hang
loosely through the hook. I saw his eyes dart to the pillar. My blood ran hot
with an unknown feeling.
“Come on, we’ll get you out of that wet shirt. Running
naked in the rain can have its disadvantages. And it’s not making things easy
for me right now.”
I saw him smile at me, his need bare in his eyes. How did I
look to him?
“I would love to paint you. Especially your hair. You’re a
vision. Maybe I’m dreaming this because I thought I saw... Well, never mind.
I’m just imagining things in the storm and all.”
He continued to look me over, talking all the way up the
lane to the front of the mansion. He seemed really nervous about something. He
said his cat disappeared last week. He believed it was on the mansion grounds
and he had tried to find a way in for days. He said he never thought to check
the lock on the gate. He hoped I wouldn’t mind if he looked for his cat while here.
I couldn’t think right now. I wondered how to get back into
my home. There must be a key somewhere. When we reached the top step, he turned
the knob and the door creaked open.
“Good thing you didn’t lock yourself out.”
He still smiled at me with lips I wanted to taste. What's
happening to me? The lines around his eyes were crinkled with humor at my being
caught naked in the rain.
“Will you be okay? I’m going to look for Kitty. If you
like, I’ll stop back to make sure you’re alright.”
I nodded. He left me at the door and went in search of his
cat. The grounds were sprawling and overgrown. And so many cats. He would be a
long time returning.
I walked into the pitch black hallway, but I could see. I
moved slowly into the room on the left. My bare feet slapped softly on the
wooden floor. There were lots of things covered with large white cloths. What
would I do now?
I saw a shiny flat surface against one of the walls and
walked over to it. My breath caught in my throat at the sight there. I wore
only his shirt and it dropped down to the middle of my thighs. Strong, shapely
legs. I lifted the shirt and was struck by how perfect and proud my breast
looked with nipples that stood out darkly against my walnut brown skin. My
sister said I would have a brown and a green eye, so they didn’t shock me.
I knew the color of my hair. It was long with ringlets
reaching my waist. The lighter, almost white streaks, blended well with the
soft reds and browns. I had a hard, flat stomach. I resembled the women that
passed my way often during the daylight hours going to the nearby park. In
fact, I looked better. Curvy, not stick straight like so many of them were. Now
I knew why he looked at me with desire. Heat curled through my body as I
thought about him. Wetness developed between my legs.
Maybe I could find some clue about my sister, Tabitha.
She's the only one who could help me now.
I heard his boots coming up the front steps and my heart
began to beat rapidly. What should I do now?
“Hey, you didn’t turn on any lights.”
He flicked at the switch but nothing happened. He walked
over to the uncovered table where I stood, totally naked again.
“Hey, here’s a candle and some matches.”
He struck the match and fire sprang to life. I jumped back
in fear.
“You must be in shock from your fall from the fence. Come
over here.”
He walked me to one of the seats in the room and pulled the
white cloth off. He wrapped it around me and sat me down. It was much softer
than where I usually sat.
“What’s your name?”
“Cali .”
I whispered.
“Where’s your family?”
“My sister and I are the only ones left. I don’t know where
she is. She left last year.” I didn’t add in a storm just like the one tonight.
“Well, let’s see if we can find you some clothes. Can’t
have you running around naked. You’re just a little too enticing for that.”
I saw his eyes light again with desire for me. His
breathing changed too. Could he smell my desire?
“Did you… find your cat? There are so many here.”
“No, but she’ll come back. She always does.” He smiled
again.
“Look, I don’t live far. We could go to my place and get
you into some warm clothes. We won’t be able to see anything here in the dark.
“NO! I’ll be fine.” My voice sounded loud with panic.
“Okay, okay. I didn’t mean to upset you, Cali .” He turned to leave, but looked back.
“You shouldn’t be alone. I’ll stop back tomorrow and see how you’re doing… if
that’s okay.”
His look told me he wanted to stay and I wanted him to but
I just nodded. He left the room and I heard the front door close quietly behind
him. I forgot to ask his name. Tired and frightened, I curled up in the chair
to take a nap.
***
I woke up to the sound of the front door closing softly. I
knew it was him. The sun shined dimly through the dirt streaked windowpanes of
the room. How long had I slept? Was it morning or noon? I couldn’t see the
position of the sun from here.
He entered the room with a bag in his arms.
“Hope you don’t mind. I knocked but you didn’t hear me. I
wanted to make sure you were alright. I brought some milk and donuts. Are you
hungry?”
I nodded. Still frightened, I wasn’t sure what to say or
do.
“Hey, don’t worry, you’ll be fine. Probably just the bump
on your head. I'll take a look at the damage out front later, but there’s
something missing.”
He seemed nervous again and he wouldn’t look me in the
eyes. He put the bag down on the table and pulled out two cups and filled them
both with milk.
He handed one in my direction and I practically took his
hand off reaching for it. Milk. Smelled so good.
“You must be really thirsty.”
I nodded.
Suddenly the front door flew open and Tabby rushed into the
room.
“Cali ,
I knew it. I felt it last night. You’ve found him.”
I saw the surprise in his eyes at my sister's appearance.
“Cali
fell off the fence last night and she bumped her head pretty bad,” he said. “We
haven’t had time for introductions yet. My name’s Reece.”
At a sound behind Tabitha, I noticed the handsome blond
whom I hadn’t seen enter the room. I remembered him from the storm last year.
When Tabby left.
“Hi, I’m Jake, Tabby’s husband.” Jake looked a little
flustered as he spoke. “Reece, there’s something Tabitha and I need to tell
you. It has to do with all the cats on the property…”
“Yeah, I know. My cat’s out there somewhere. Kitty
disappears in here every now and then. She’s a beautiful little calico.” Reece
kept stealing looks in my direction. He looked at my hair.
“Well, you see… umm, I lost my cat here last year…” Jake
looked at Tabby as he talked to Reece. “Did you notice anything weird in the
storm last night?”
“There's some damage done to one of the pillars at the
front gate. I wanted to repair it this morning but I can’t find a piece. I’ve
seen it every time I come by, but after Cali
fell last night, I noticed it missing.”
“This is going to come as a surprise Reece…”
Reece turned to look at me. He examined me as though I was
under a microscope. His eyes again took in the color of my hair, my eyes.
“I thought I imagined it? This is real isn’t it?”
Reece stared at me as he talked in a whisper. I could see
he knew the truth now.
“I came up the sidewalk when the lightning struck the
pillar and I… I… thought about it all night. I couldn’t believe what I saw. But
that’s why I can’t find it.”
My sister and Jake stayed quiet, letting him come to the
answer in his own way.
“It wasn’t my imagination. All night I kept going over what
I saw in my mind. I've felt drawn to this place for weeks now, so has my cat. I
looked at that statue every night. I’ve wanted to touch it. I even wanted to
take it home with me and paint the colors back.” Reece continued to look at me.
“Cali ,
you’re the reason why. You’re the statue of… the cat.”
Tabby and Jake smiled.
“I didn’t know that you ever saw me sitting there,” I said.
“I noticed you every time. And it was you I looked at each time, Cali ,
not the cat. And I’ve always wanted you. Your hair is just as I always imagined
it—so many colors. It’s as though you were made just for me.”
“I’ll help you find Kitty so you can take her home.” Being
alive felt so good. And since I was the last, the mansion belonged to me now. But
would Reece want to stay here?
I watched silently as he walked towards me. He pulled me
from the chair and wrapped me tightly in his arms. He ran his fingers through
my colorful curls and tugged them gently.
We would have the rest of our lives to get to know each
other.
Reece whispered in my ear. “Kitty’s already home.”
Growl and roar-it's okay to let the beast out.-J. Hali Steele
I'm a mother, author, and a few things unmentionable in polite company. I love reading and traveling when I can. Contrary to popular belief - I'm not always a bitch - okay, so I am!
Wednesday, July 4, 2012
I'm Late for a Very Important Date
So sorry I'm late!
Since today is a holiday for most Americans, I took advantage of my day off by having breakfast with my husband before his tee time. Then I came home, fired up the computer and started working on a story that grabbed me by the horns late last week. In the home stretch, I knew if I could push through, dig down and just *write* I could get the story finished today.
And I did! But nothing else got done. LOL
Happy Birthday, America!
Tuesday, July 3, 2012
Return to Askara...with a contest!
This past Tuesday the third novel in my Daughters of Askara series, Eversworn, was released from Samhain Publishing. It's bittersweet, in a way, because I have to step back from that series for a little while. I have plans to complete the final two novels in the series, as well as a spinoff series I would love the opportunity to write. Once my other obligations are met, I will be eager to return to the sands of Askara.
Until then, I'll leave you with an excerpt from Eversworn.
Steal the salt. Bind the grimoire. Escape the male.
When an exchange of stolen goods in the Feriana marketplace turns sour, Isabeau stumbles from the encounter bruised and laden with new orders to complete an even larger heist. With her child’s life at stake, there’s no room for error—or allies.
Armed with a lethal book of spells, she strikes a dangerous bargain with Roland Bernhard. Steal a shipment of salt from the Feriana colony, and she’ll have her freedom—and her daughter. It’s all she’s ever wanted. At least it was…until she runs into Dillon Preston.
Dillon is out of commission after a mine explosion, and itching for a distraction. He gets it when the female who saved his leg arrives at the colony with nothing but flimsy excuses and even flimsier attire. She’s after something, but is it him—or the salt?
Trapped in a desperate bid to gain true freedom, Isabeau is willing to sacrifice her life for her daughter’s, but Dillon has other plans. He wants a package deal, and he’s not willing to lose either female, even if it means the future king of Sere’s head will roll.
Warning: This title contains a heroine desperate to save her daughter and a hero determined to make them a family. It also includes wings, horns and other assorted appendages.
Until then, I'll leave you with an excerpt from Eversworn.
Steal the salt. Bind the grimoire. Escape the male.
When an exchange of stolen goods in the Feriana marketplace turns sour, Isabeau stumbles from the encounter bruised and laden with new orders to complete an even larger heist. With her child’s life at stake, there’s no room for error—or allies.
Armed with a lethal book of spells, she strikes a dangerous bargain with Roland Bernhard. Steal a shipment of salt from the Feriana colony, and she’ll have her freedom—and her daughter. It’s all she’s ever wanted. At least it was…until she runs into Dillon Preston.
Dillon is out of commission after a mine explosion, and itching for a distraction. He gets it when the female who saved his leg arrives at the colony with nothing but flimsy excuses and even flimsier attire. She’s after something, but is it him—or the salt?
Trapped in a desperate bid to gain true freedom, Isabeau is willing to sacrifice her life for her daughter’s, but Dillon has other plans. He wants a package deal, and he’s not willing to lose either female, even if it means the future king of Sere’s head will roll.
Warning: This title contains a heroine desperate to save her daughter and a hero determined to make them a family. It also includes wings, horns and other assorted appendages.
Monday, July 2, 2012
World Building By Deatri King-Bey
World
Building
As an avid reader, I love to be teleported to other
worlds where dragons rule the sky and elves may be friend or foe. I have over a
dozen women’s fiction and romance titles published, and I’m often asked why
I’ve only written one fantasy romance. Simple answer: I didn’t have a fantasy
romance story to tell. When I write, I have the characters before I have the
plot. It’s as if I have a split personality, and unless one of the other voices
speak to me, tells me its tale, I have no story to tell. So here I am a
multi-published author and avid reader of fantasy who only has one fantasy
romance under her belt.
I’m often asked how I came up with the
concept for The Other Realm. I was
sitting in the courtyard at work, minding my own self’s business as I usually
do, when a huge Canadian goose decided to hop his happy butt onto the opposite
end of the bench I was sitting on. For those of you not familiar with Canadian
geese, they can be very mean during nesting season. Who am I kidding; they can
be mean at any time. Anywhooo, there I was, me and the goose. No bird would
bully me. I didn’t care how big it
was. But not one to start a fight, I jokingly said something on the lines of, “You’d better keep
your feathered butt on that end of the bench or there will be a problem.” Next
thing you know Aurora, the heroine from The
Other Realm, was ready to tell me her story of how she had to go through a
portal from our realm to another realm. In the other realm she spoke of, the
goose wasn’t a goose, but a warrior! Yeah, you know I had to write about that. So there you have it. How I became a fantasy romance author. Here’s a little more about The Other Realm, which is available in Kindle and coming to print soon.
The Other Realm: Aurora never fit in and preferred the fantasy world she created for a video game to her own. In her fantasy world she’d found love and acceptance. Then one day a goose spoke to her, and she knew she had spent too much time in her fantasy world. Though she knows she must be crazy, a longing to “return home” compels her to listen to the goose and open a portal to another realm. Now Aurora must work with the man of her dreams—a warrior she’d thought was a result of her vivid imagination—to save both realms.
Tahlan is a warrior and warriors can’t fall in love. No matter how much he desires to make love to Aurora, no matter how much his heart tells him she’s the one, he can’t allow anyone to learn of his feelings for her. His love for her could lead to her death, and that’s the one pain he could not bear.
Purchase The Other Realm from Amazon ($2.99), which is free for borrow to Amazon Prime members and coming to print soon.
Thank you so much, Rebecca, for allowing me to visit and tell everyone a little about myself and The Other Realm.
Deatri King-Bey
I am 33 years old and the mom of 3 little boys. I am published with Liquid Silver Books, Noble Romance, Silver Publishing, Decadent Publishing, and Ellora's Cave. Please contact me at rebecca@rebeccaroyce.com
Sunday, July 1, 2012
Canada Day
Today is Canada day, which is our 4th of July. For those of you who didn't know, I'm am Canadian. I presently live in my adopted country of USA in Vermont. Not far from where I was born though.
We're a quirking country with a great sense of humor. Here are a few examples:
Happy Canada Day!!
Labels:
annie nicholas,
canada,
canada day
Paranormal and
Sci-fi Romance Writer
Annie Nicholas writes paranormal with a twist. Her stories are off the beaten path as she creates romantic, suspenseful, attention grabbing fiction.
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