Black Swan
Collected Tales (Volume 1, Books
1-6)
The
Order of the Black Swan is
a serial saga including My Familiar Stranger, The Witch’s Dream, A
Summoner’s Tale, Moonlight, Gathering Storm, and NEVER BEFORE
RELEASED Book 6, A Tale of Two Kingdoms.
Once upon a time a girl lost everything
familiar. She escaped death by being forced into an experiment that left her in
another world where modern day knights, elves, vampires, werewolves, witches,
demons and fae became her allies, friends and family. She discovered a place
where adventure intersects fairytales, where honor is more than an ideal, and
she learned that love can find you in the strangest places, when you're least
expecting it, even when you're far, far from home. This is the story of Elora
Laiken's strange and wonderful journey. It is also the story
of those whose lives she touches along the way.
If you love romance, paranormal, science
fiction, fantasy, urban fantasy, contemporary, this series is right for you.
17+
ISBN: 978-1-933320-94-6, 529,000 words
After December 15th
$18.99, but available during release week for $0.99 and can be
preordered at that price from either Smashwords or Kobo. Buy links to Amazon, B&N, and Apple
(iBooks, iTunes) will be available release week. Subscribe to the mail list for
a reminder. JOIN THE MAIL LIST FOR NEWS & GIVEAWAYS
PREORDER LINKS:
Appropriate for 17+
The State of Indie Publishing
by
Victoria Danann
Last month I was the featured
author at the first ever Indie Romance Convention where I was privileged to
give the keynote speech on opening night and moderate a panel discussion for
authors on Indie marketing.
The Indie Rom con is a
convention with separate events (workshops, panels) for authors and readers. I
didn’t attend any of the reader events because the con organizer had me busy
working with other authors. During those exchanges I was able to discern a lot
about the current state of affairs.
First, as I’m sure you’re
aware, Independent Publishing includes a variety of approaches to book
distribution such as self-publishing, small press, and independent imprint
digital. I don’t usually cite my own case because it’s unique. When I began
publishing my works of fiction, I did so under 7th House Publishing,
which is a small press and was owned by me at the time. For about fifteen years
its focus had been strictly calendars, planners, New Age niche books, and
sidelines.
As a person who began as
owner/operator of a small publishing company, I was fortunate to have many of
the skills necessary to running an Indie fiction business before I began writing
the fiction I would sell. For the vast majority of Indie authors, that equation
is the other way around.
In other words I was familiar
with marketing principles, time management, and had acquired useful tech skills
so that I can manage my own website, do my own graphics (including covers), and
format my books for publication in various e-versions.
Not every Indie author has or
is going to want to acquire that specific skill set, but that’s okay. There are
people who can be hired to perform those tasks. What every Indie author does
need to understand is that an independent writing career is not only a
business, it’s an entrepreneurial business. It’s a leap for risk takers and
scramblers.
If the voice in your head
says, “But I just want to write,” Indie publishing is not for you. Sadly, there
may not be any place for you because, while traditional publishing may survive
in some form, the days of authors contributing nothing more than manuscripts
are over. Even big names are now expected to spend time on social media and
engage readers, contribute earnings to various promotions, and participate in
marketing activities where their predecessors were simply left alone.
For a time traditional
publishing tried to deny that the gate was open for good. For four hundred
years nothing much changed in the world of publishing, but the Kindle created a
revolution that upended the stranglehold the New York gatekeepers had over which
things did or did not get published. Don’t get me wrong. I understand
investing. The people who are putting up the money get to say how it’s used,
where, when, and why. I have no problem with that. It’s only right.
On the other hand, there’s
something truly noble about having a global forum that allows anyone with
something to say to put it out there and let the reading public – rather than
book investors – decide what they want to read.
As to the fate of traditional
publishing, let me paraphrase Mark Coker of Smashwords. “They’re like the
Titanic. They know they’re going to sink, but they’re too big to turn. All they
can do is brace and wait for impact. “
Meanwhile, a lot of authors like myself are benefitting from
a readership with whom contact would have been possible. My books would never
have been published – too different, too much of a risk. So I owe Amazon a lot.
If they dropped the props that are holding traditional publishing up, so that
we were on a level playing field with those authors, I would owe them even
more. (Are you listening, Amazon? We, Indies, are your future.)
Next year the Indie Rom Con will be held in Nashville
next year, September 11-14 with outstanding small events for both authors and
readers. http://indieromancecon.com/
Victoria
Danann
TWITTER: @vdanann
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