Showing posts with label descriptions. Show all posts
Showing posts with label descriptions. Show all posts

Saturday, October 7, 2023

Avoiding Mirrors and Reflections by Jessica E. Subject

 


AVOIDING MIRRORS AND REFLECTIONS
by Jessica E. Subject

One writing trap I used to fall into, and I still see other authors using, is revealing a character's appearance by having them see their reflection in a mirror or window. It can be done well, especially if a character is walking down the street during a rainstorm and sees their disheveled appearance reflected back to them in a store-front window. This example uses the setting to illustrate what the character looks like in that situation. And often includes the characters reaction to their reflection.  But many times, the bathroom and hallway mirror are far too convenient to show the reader the character's skin color, eye color, hair color and style, and what they're wearing.

Those convenient reflections are one thing I've learned to avoid over my 10+ years of writing for publication. As in my example above, using the setting and the character's thoughts can be used in combination with a random reflection. Using another character in the story also works. There are many ways. But the key is not to throw every detail about the character's appearance at the reader all at the same time. Multiple details at the same time work, but try to spread them out, and reveal the details in multiple different ways.

It is also important to remember that not every detail of the character's appearance needs to be revealed. As a reader myself, I like when authors leave some details about the characters for me to fill in with my imagination.

Here are some examples of how I revealed the appearances of my characters from my new release, 4 UNITED...

Eta, my point-of-view character:

“Listen.” Sakuunu rested a hand on each of our shoulders. “I get why you’re upset. I really do. But, Eta, if you stay here, you will be forced to marry a councilman. Your mother, too. Your hair is already starting to turn pink. The High Council is already watching you.” ~ Though the cover shows her with pink hair, the reader learns it wasn't always pink.

Clean and in a fresh uniform, I left the apartment with very little time before my meeting with Skyranked Rayne. ~ She gives a brief description about herself without going into detail or looking in a mirror.

Nunki:

His once full cheeks had disappeared, giving way to a wider skull and nose. His mane of hair, though a little messy, was full and dark, the way my poepa’s had been. Little wrinkles creased in the outer corners of his golden eyes, showing his disappointment at seeing me. Though his full lips told a different story, as the corner of one side curved up in a half smile. Full, kissable lips. Stars, I’d missed him so much. ~ A comparison to how he looked the last time Eta saw him.

After taking a step forward, I rested my hands on his broad shoulders and pushed to the tips of my toes so I could kiss his cheek. ~ This detail about his build is much later in the chapter.

Skyranked Rayne:

Focusing on my supervisor, I tried to figure out her mood based on the current color of her skin. Most Derinjians I’d met had green skin, except when experiencing extreme emotions. But Skyranked Rayne never seemed to hide her feelings. Strangely, she appeared a bit yellow. Perhaps a little gray, too. Did that mean she was nervous? Then, very quickly, her skin turned bluish-green. Stars, what was she hiding? Had I gotten a complaint at my last assignment? ~ Gives some information about the people from Derinj along with Eta guessing why her boss called for a meeting based on the color of her skin.

Qamar:

The guy I’d seen in the photo waited for me. The one assigned to be my shagard. In the picture, I hadn’t seen any resemblance to the boy I once knew. But in person, when he smiled, I recognized him instantly. His deep dimples, almost like pockets, still appeared when he smiled, though his facial scruff shadowed them. And after so many star cycles, he still hadn’t lost his look of wide-eyed wonder. ~ Once again, comparing a character's appearance to their younger self as well as to a photo.

Deyal:

I glanced beyond the hovercar to see Deyal zooming toward us on her electric hoverboard. Her dark-brown hair, tied up in a tight hair tail, flapped behind her. Sometimes she dyed it pink to look like the other females on Ma’an, and other times she preferred to avoid the attention. Though lately, with the High Council easing their restrictions of information from beyond the planet, she’d been researching her mother’s heritage, often wearing her hair in rolls and braids as her mother would have styled it. ~ Showing a character's appearance while in motion and also revealing other information about the character as well as the setting.

Sakuunu:

I reached out to hug him, and he pulled me tight against his chest. While he wasn’t as wide as Qamar, he stood taller, with a solid frame. ~ Comparing one character to another.

Multiple characters at once:

A lump formed in my throat at the sight of them, faces gaunt and dirty, manes dull and matted, and their grimy clothing barely covering any of their bodies. My anger at Chairman Oxe rose more than I thought possible. ~ Revealing Eta's reaction to seeing their appearance.


4 UNITED by Jessica E. Subject

Why would I ever return to Ma’an?

My moema and I escaped from the planet star cycles ago, to avoid her being forced to remarry after my poepa’s passing. I grew up well far away from there, not worrying about being betrothed to some government official just to bear his children. And now I work for the Universal Space Racer Association, traveling all over the quadrants to decide whether new teams meet the qualifications to join.

I never expected to be on a shuttle, heading back to Ma’an. The new chairman of Ma’an and the USRA assured me I’ll be allowed to leave at the end of my evaluation of the planet, but I have my doubts. I can’t even get out of the assignment. Trust me, I’ve tried.

At least I’ll be able to see more of Deyal, my only family member still alive. Plus, my best friend is convinced the three childhood friends I left behind are my fated mates, two of which are on the team, and the other is my shagard. I’m not ready to commit to one person, let alone three. And polyamorous relationships were banned on the planet long before my birth. But the three of them have grown from the cute boys I remember into sexy strangers.

It’s too bad I have a rule to never sleep with the racers I’m inspecting.

4 United is the first book in Jessica E. Subject’s sweet and spicy Kaddim Brothers spinoff series, Romance Tales from the Quadrants. 4 United features Eta, who escaped Ma’an with her moema just as her hair was starting to turn pink, her three childhood friends who grew up to be very sexy men, an unexpected assignment, fated mates, true love, and other family and friends getting involved to make sure the four of them get their happy ever after. If you like MMMF relationships, second chances at love, friends to lovers, and fated mates, read 4 United today.



Tuesday, July 24, 2018

Descriptions are Fun to Write?


As a paranormal romance writer, vivid descriptions are a must. All writers have to describe their world to a certain extent so that the readers are grounded in it. But paranormal romance requires figuring out all the rules and details that make that world unique. 

For example, I have a new dragon shifter series coming out in September (Fire's Edge... more info coming next month!). I've spent countless hours digging into what makes that world tick in a unique way that sets the right tone for my stories and lends to the conflict for my characters. 

I'll be honest... This is a love it/hate it thing for me. A writer can easily get bogged down in the details until they stop writing and are only making notes. They can also put so much description of their world in the book that they lose the reader. At the same time, it's easy to go too light and the reader either can't picture it or doesn't understand what's going on.

With that in mind, I thought I'd share some of the tricks I use when writing and self-editing to help me with the descriptions....



When writing, you want to make sure you get the descriptions in there in the first place. Many writers don't set a scene or characters have no clothes (I do this all the time). You also want to get the description right. By right, I mean, they convey good information and build your world, but at the same time don't drag down the pacing of your book or are appropriate for your genre. Here are some things to look at when writing/editing.

Your Character's Lens (Deep POV)
Ask yourself if the description is coming from your POV character's lens. If you walked into a new room or met someone new, what you notice will differ from what someone else would notice. Why? Because you have different interests, history, backgrounds, preconceptions, goals, etc. Or if the description is about the character (clothing, personality, physical characteristics), make sure it matches who your character is.

Are your descriptions generic, or do they reveal something about your character?


Context
How is what you are describing affected by the context? For example, would a character's frame of mind impact how they see something? What about the plot? What about the genre?



Look & Feel - Add Emotion
Don't just describe how something appears. Get the emotional impact in there. What does the character feel about that description. Does it resonate? Impact their emotions? Help or hinder?

5 Senses
You want to incorporate more than sight into your descriptions. Use all 5 senses (sight, touch, taste, sound, and smell).

Some editors say to incorporate all 5 senses into every page. I find that overkill (and often impossible, unless he/she is a snake shifter tasting the air every 30 seconds). My rule of thumb is a sense per page and all 5 senses per scene or chapter.



If you really want to go crazy, check out the other "senses". Many scientists have classified additional senses to the traditional 5. Not all agree on the lists or classifications yet, but check out the ones they do agree on most. Try incorporating these in!

  • Temperature – Hold/Cold
  • Balance
  • Pain
  • Sense of where your limbs and body parts are
  • Thirst
  • Hunger
  • Time


Telling vs. Showing
The key with descriptions is to help the reader experience that thing--the setting, meeting another character, going through an experience, etc.

Description Length
Look at the length of your description. Is it too short? Not conveying enough information? Is it too long and pacing is suffering? Do you REALLY need all those details right at that moment? Consider what/who it is you are describing and why? Does the description impact the plot or character?



Spread It Out/Break It Up
Spread out descriptions. Whether you are describing characters, settings, the character observing a scene in action, the actual action, etc., it helps to break it up. Don't just dump it all in one long paragraph. Try to sprinkle the descriptions throughout.

What About You?
Fellow PNR authors, I'd LOVE to hear your tricks and tips. What is your process when it comes to descriptions and building your world? Readers, what do you prefer to see in descriptions?