Thursday, July 7, 2022
Submit and Send... Now What? Post by Jessica E. Subject
Jessica E. Subject is a USA Today bestselling author of science fiction and paranormal romances, bringing to life a wide variety of characters. In her stories, you could not only meet a sexy alien or a pop star tiger shifter, but also unsuspecting clones and feisty omegas. You may be transported to a dystopian world where rebels are fighting to live and love, or to an alternate reality where shifters live among humans.
When Jessica is not reading, writing, or doing dreaded housework, she likes to go to spin class, listen to BTS, and walk her Lab/Border Collie pup her family adopted from the local animal shelter.
Jessica lives in Ontario, Canada with her husband and two not-so-little children. And she loves to hear from her readers.
Sunday, November 7, 2021
Finished First Draft! Now What? Post by Jessica E. Subject #amediting
It’s November, the month of NaNoWriMo, or National Novel
Writing Month. Many authors participate in this event, aiming for 50,000 new
words written either on a single novel, shorter works, or to finish up
works-in-progress. I am not participating this year, as I finished the second
Kaddim Brothers story on October 31, and am busy working on revisions for it.
Though I have already started writing the third Kaddim Brothers story, my main
focus is getting the second story polished and ready to go. What is my revision
process? Well, here goes…
1)
Get the story in the computer.
I write all my stories in notebooks. I’m not limited to writing in my office that way, and don’t worry as much about staring at a blank screen. But, this also means I have an extra step in the revision process. Transferring the story from paper to digital does give me a chance to do some revisions and editing though. Sometimes things don’t sound right, or I’ve spelled a word wrong. And in some spots there are blank lines where I have to fill in after doing some research, or find information in my series bible. I usually try to transfer words throughout the writing of the story, but when I’m near the end of the story, I keep plugging away in my notebook, not wanting to take the time to get it in the computer until it’s finished.
2)
Do a spell check.
This may seem really simple, but it’s an important step
for me. When transcribing, I sometimes make typing errors. Also, because I
write sci-fi and paranormal, some words and names are not a common spelling. By
doing a spell check, and using “accept all” or adding the word/name to the
dictionary, I can make sure I’ve spelled the word correctly throughout. Because
if it comes up again, it was spelled wrong somewhere.
3)
Print story out for first major round of
revisions.
This is where I get out my faithful red pen, and multiple
resources to ensure that my story makes sense, and that the reader can see and
feel exactly what I do. I add in more descriptive details, make sure I’m
showing by using active verbs, and ramp up the emotion wherever possible.
4)
More revisions.
After I enter the previous round of revisions in the
computer. I know some things will not flow properly. So, I need to look for
those and find other spots that need more work. This step may happen several
times until I am satisfied with my story.
5)
Go through and get rid of crutch words.
I have a list or overused/crutch words. One that grows
with every story I get back from my editors. I search through my story for
these words, making sure they’re not used too often. This part is the hardest
for me, as sometimes it’s difficult to find a way to say the same thing but
with different words. It’s painful, but it saves time later on, and makes my
editors happy.
6)
Digital read through.
After several rounds of revisions, I feel satisfied with
my story. But, by this point, I’ve read the story so many times that it is
jumbled together in my brain. So, I need to switch the medium on which I read
it. I will read it on my phone or on my computer to get a different, and more
reader-like read-through of my story. At this point, I usually pick up some
misspelled words that weren’t caught by me or the spell-check, missing or incorrect
punctuation marks, and other odds and ends. I may even notice some big issues
that still haven’t been addressed in previous revisions.
7)
Send to beta reader, editor, or submit.
Yay! I reached the point where I was satisfied and decide to send my story off to someone else. Because no one will ever see my first draft! There will be more rounds of revisions to come, but this is a good start.
Jessica E. Subject is the USA Today bestselling author of science fiction and paranormal romances, bringing to life a wide variety of characters. In her stories, you could not only meet a sexy alien or a pop star tiger shifter, but also unsuspecting clones and feisty omegas. You may be transported to a dystopian world where rebels are fighting to live and love, or to an alternate reality where shifters live among humans. You can find her books on Amazon and other e-book retailers.
Jessica E. Subject is a USA Today bestselling author of science fiction and paranormal romances, bringing to life a wide variety of characters. In her stories, you could not only meet a sexy alien or a pop star tiger shifter, but also unsuspecting clones and feisty omegas. You may be transported to a dystopian world where rebels are fighting to live and love, or to an alternate reality where shifters live among humans.
When Jessica is not reading, writing, or doing dreaded housework, she likes to go to spin class, listen to BTS, and walk her Lab/Border Collie pup her family adopted from the local animal shelter.
Jessica lives in Ontario, Canada with her husband and two not-so-little children. And she loves to hear from her readers.
Monday, December 4, 2017
When The Words You Write Are Frightful…
…Or How To Keep Writing that Novel Even When You Want To Quit.
- How to bounce back from all that sitting by making a DIY standing treadmill desk
- Secrets to winning NaNoWri for pansters (raises hand) and procrastinators
- For your loved ones who must deal with the NaNoWri obsessed
- How NaNoWri is a little like being a alien
- The month after NaNoWri Poem
What Kept My Fingers on the Keyboard
You Can’t Edit A Blank Page (I’ve
tried. It’s Useless)
- I may have a ‘hot mess’ of 50,000 words, but there is bound
to be some diamonds in the rough once I tear it apart with editing.
Peer Pressure (AKA: Find Your People)
- I joined several teams (SavvyAuthors NaNoWri Bootcamp and From the Heart Romance Writers (FTHRW)) who competed
for the most words for the month. There’s nothing like a little competition to
get me up and at the keyboard at the crack of dawn. The sprints, motivational
quotes and team spirit helped as well.
Be A Role Model (Moms Can’t Be Quitters)
- Besides my teams, for the last few years I’ve not competed in NaNoWri alone. For two years both my daughters joined in, but didn’t make it
too far through the month (they were around 13), last year one of my daughters
did NaNoWri with me but she didn’t hit the word count, but this year she did! When I was tempted to give it up I'd see her determinedly pushing through the word counts. When I showed her my winning certificate on the 29th, it pushed her enough to finish over 5,000 words in one day and make goal!
What I Learned From This Year
- Prepare Before You Start: I don’t outline, but prior years when I wrote a brief summary of the story, or at least a list of plot points I ended up with a more coherent story—that still required heavy editing.
- Don’t Be A “Yes” Girl: I knew from the start of the month that I’d overextended myself with personal, professional and writing obligations in addition to NaNoWri. But I was too stubborn to miss my favorite month.
Kind of Like My Christmas Tree
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| My 2012 NaNoWri Winner! |
| My 2013 NaNoWri Winner! |
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| Click Here. |
Tuesday, July 25, 2017
Making Every Word a-Count-able by Nancy Gideon
As an author (and even as a speaker or reader) I LOVE words. The more the merrier! Why grunt a syllable when a mellifluous abundance of adjectives and prepositional phrases can say it so much more eloquently?
At least, that's what I believed while writing my first dozen historical romances. And then, a rude awakening. I was assigned an editor who . . . edited. She didn't share the same appreciation for my every adverb. When I received my revisions, I had to search frantically to find the remaining text! My wonderful, ample paragraphs had undergone a starvation word loss diet. Where was the lyrical poetry of my phrases? How could my nouns and verbs survive without the companionship of all their passive friends? My musically masterful alliteration? Pick one? Seriously?! How is the reader going to know it's important unless I stress how very, very vitally important it is? My manuscripts would come back, every page riddled with red and blue ink, a regular St. Valentine's Day verbiage Massacre!
Jump ahead to present day: I survived. I learned. I had several awesome senior editors who taught me how to self-edit: That middle area between revisions (polishing prose) and line edits (technical accuracy) that improves the quality of the writing to the point my manuscripts would come back almost virginal (except for commas and semi-colons, those little suck ups!). I learned to distance myself from my "ly"s, my dialogue tags, to go all Atkins on my descriptions and to take no prisoners when it came to superfluous phrases . . . but leave my allotment of occasional alliteration alone! Yes, I know it's alliteration. I meant to do that!
The bitter lessons learned makes going through the revision draft of PRINCE OF FOOLS, the third book in my "House of Terriot" shapeshifter series, a poignant exercise instead of a pathological slasher rampage. Though I relish every one of those initial 103,900 words, I accept the fact that my book can live a long, happy life after deleting 7,900 of them (or at least, sending them to live elsewhere as Extra Content!). I know that exchange of witty banter between my H/H is amusing and clever but does it serve a purpose in furthering the plot, or reveal needed information about the characters? No? Out! Brutal but necessary to obtain that lean, mean word count.
So, now that I'm an "accomplished" revisionary, what's the first thing I tell anyone about to self-publish their book? Get a freaking professional editor! I may attempt it at home, but I don't pretend that I am fluent enough in Grammarian to get past all those eagle eye readers. What I can do is prepare the best, cleanest copy possible for that steely penned professional. And to let them know up front, if it's alliteration . . . I meant to do that!
Now, back to page 239. Only 4,000 more of the little buggers to go!
~ ~ ~ ~ ~
Sunday, November 20, 2016
Layering a Scene with "Character"
FIRST DRAFT
LAYER 1 - Sensory Detail and Physical Action
- Smell of the room
- Humidity from the non-working air conditioner
- Sounds of the city
- chair hitting the ground
LAYER 2 - World Building
- Added more of a description of the room and how they're playing poker.
- Got the summer night in the city in there
- carpeted floor
- more details about Quinn's rescue and that Cain's team works with other teams out there in a "good guy" capactiy
LAYER 3 - Character Traits and Voices
- Added Max rubbing at his scar.
- Made Shaw's goofier personality come through as well as Sawyer's tendency to be the observant/quieter twin
- Snuck in a hint that Shaw's telepathic ability has to do with mechanics
- Max is Cain's best friend - hopefully that comes across with him helping Cain search for Quinn
LAYER 4- Internal Reactions
- This is mostly for Cain. I tried to convey how nervous he was for the heroine without him saying it out loud or thinking the actual words. Smaller details like:
- "distrubling silent" phone
- checking the phone over and over
- how the other's react to him
- added actual thoughts like not wanting to be weak in front of his team











