Showing posts with label editing. Show all posts
Showing posts with label editing. Show all posts

Thursday, July 7, 2022

Submit and Send... Now What? Post by Jessica E. Subject

 


In my post from April, I talked about how I'd almost finished writing RET, the last book in my Kaddim Brothers series. Well, I've finished. And I'm currently in the final stages of editing. As I write this, I'm currently on stage 6 of my self-editing process, as I detailed in this post from November 2021. That means, I'm almost ready to submit it to my publisher.

But, what comes next?

There are so many possibilities of things to do when an author finishes writing a book and/or series. I'm going to talk about some of them, but feel free to add your own ideas in the comments.

1. CELEBRATE

It's a huge accomplishment to have finished writing a book and get it to the point where you're ready to share it with others. Many people have dreams to have a book published, but never start. If they do, they don't finish. So, celebrate this accomplishment.


2. READ

Some authors don't read in their genre when they're writing. These breaks in writing are a chance to read in your genre and see what's popular. It's also good to read outside your genre, to read wide and gain new perspectives. This can really help with your future writing. Reading non-fiction can also help with research and ideas for upcoming stories.

3. WATCH TV / MOVIES

This is the time to watch those movies and shows you've been putting off to finish your story. Enjoy! And maybe find some inspiration. I've been inspired by so many shows and movies over the years.


4. HEALTH CHECK

This is important. One's health can be another thing authors put on hold when finishing a story. Schedule appointments for this time to see to your physical and mental health. Go to the gym, or even just for a walk. Get a massage. Just be sure to take care of yourself.


5. BOOK PROMOTION

This is a good time to work on a promotion plan for your upcoming book if you're self-publishing or already have this series with a publisher. If you have backlist titles, you can also work on promo material for them, to remind readers that you already have other books out there.


6. START PLANNING OR WRITING THE NEXT STORY

I'm not an intense plotter, but I do spend a lot of time playing out my story in my head and then jotting notes down so I can remember it all. I use a basic 8-point romance outline that was shared by Stephanie Bond in a Romance 101 course I took several years ago. It works for me, and I know many authors have different systems to plot out stories that work for them. If you're you're a pantser, just go ahead and write that new story!

PUBLIC SERVICE ANNOUNCEMENT!
Be sure to back everything up! You don't want to invest all that work into something only to find it suddenly gone.

As I finish up edits for RET, and am closer and closer to submitting, I am also intensely plotting the first book in my next series. There's been a few glitches I've been trying to figure out how to get them to work, but it seems to be coming together now. I look forward to the day I can share more about this book and series with you!

Wishing you all a wonderful July!






Sunday, November 7, 2021

Finished First Draft! Now What? Post by Jessica E. Subject #amediting

 


It’s November, the month of NaNoWriMo, or National Novel Writing Month. Many authors participate in this event, aiming for 50,000 new words written either on a single novel, shorter works, or to finish up works-in-progress. I am not participating this year, as I finished the second Kaddim Brothers story on October 31, and am busy working on revisions for it. Though I have already started writing the third Kaddim Brothers story, my main focus is getting the second story polished and ready to go. What is my revision process? Well, here goes…

1)      Get the story in the computer.

I write all my stories in notebooks. I’m not limited to writing in my office that way, and don’t worry as much about staring at a blank screen. But, this also means I have an extra step in the revision process. Transferring the story from paper to digital does give me a chance to do some revisions and editing though. Sometimes things don’t sound right, or I’ve spelled a word wrong. And in some spots there are blank lines where I have to fill in after doing some research, or find information in my series bible. I usually try to transfer words throughout the writing of the story, but when I’m near the end of the story, I keep plugging away in my notebook, not wanting to take the time to get it in the computer until it’s finished.

2)      Do a spell check.

This may seem really simple, but it’s an important step for me. When transcribing, I sometimes make typing errors. Also, because I write sci-fi and paranormal, some words and names are not a common spelling. By doing a spell check, and using “accept all” or adding the word/name to the dictionary, I can make sure I’ve spelled the word correctly throughout. Because if it comes up again, it was spelled wrong somewhere.

3)      Print story out for first major round of revisions.

This is where I get out my faithful red pen, and multiple resources to ensure that my story makes sense, and that the reader can see and feel exactly what I do. I add in more descriptive details, make sure I’m showing by using active verbs, and ramp up the emotion wherever possible.

4)      More revisions.

After I enter the previous round of revisions in the computer. I know some things will not flow properly. So, I need to look for those and find other spots that need more work. This step may happen several times until I am satisfied with my story.

5)      Go through and get rid of crutch words.

I have a list or overused/crutch words. One that grows with every story I get back from my editors. I search through my story for these words, making sure they’re not used too often. This part is the hardest for me, as sometimes it’s difficult to find a way to say the same thing but with different words. It’s painful, but it saves time later on, and makes my editors happy.

6)      Digital read through.

After several rounds of revisions, I feel satisfied with my story. But, by this point, I’ve read the story so many times that it is jumbled together in my brain. So, I need to switch the medium on which I read it. I will read it on my phone or on my computer to get a different, and more reader-like read-through of my story. At this point, I usually pick up some misspelled words that weren’t caught by me or the spell-check, missing or incorrect punctuation marks, and other odds and ends. I may even notice some big issues that still haven’t been addressed in previous revisions.

7)      Send to beta reader, editor, or submit.

Yay! I reached the point where I was satisfied and decide to send my story off to someone else. Because no one will ever see my first draft! There will be more rounds of revisions to come, but this is a good start.


Jessica E. Subject is the USA Today bestselling author of science fiction and paranormal romances, bringing to life a wide variety of characters. In her stories, you could not only meet a sexy alien or a pop star tiger shifter, but also unsuspecting clones and feisty omegas. You may be transported to a dystopian world where rebels are fighting to live and love, or to an alternate reality where shifters live among humans. You can find her books on Amazon and other e-book retailers.

Monday, December 4, 2017

When The Words You Write Are Frightful…


by Maureen L. Bonatch

…But not having an empty, blank page is delightful. When you’ve only got a month to go, let words flow, let words flow, let words flow! 

Or How To Keep Writing that Novel Even When You Want To Quit. 


Forgive my attempt at butchering what may be one of your favorite Christmas songs, but I am fresh out of National Novel Writing Month (NaNoWri) and high off a win. (A win meaning that I wrote 50,000 words in the month of November). 

I’ve written about NaNoWri many times before and addressed things such as:


So I’m sure you’re wondering what else I could possibly have to say about National Novel Writing Month—don’t tempt me. I did just vomit out 50,000 words in a tight time frame. 

But despite participating for the past 10 years, this year’s NaNoWri was a little different. Even though I love NaNoWri and look forward to it every year. This year was the first time since I started winning over the last 6 years that I was tempted to quit.

What Kept My Fingers on the Keyboard

You Can’t Edit A Blank Page (I’ve tried. It’s Useless)
  • I may have a ‘hot mess’ of 50,000 words, but there is bound to be some diamonds in the rough once I tear it apart with editing.
Peer Pressure (AKA: Find Your People)
  • I joined several teams (SavvyAuthors NaNoWri Bootcamp and From the Heart Romance Writers (FTHRW)) who competed for the most words for the month. There’s nothing like a little competition to get me up and at the keyboard at the crack of dawn. The sprints, motivational quotes and team spirit helped as well.
Be A Role Model (Moms Can’t Be Quitters)
  • Besides my teams, for the last few years I’ve not competed in NaNoWri alone. For two years both my daughters joined in, but didn’t make it too far through the month (they were around 13), last year one of my daughters did NaNoWri with me but she didn’t hit the word count, but this year she did! When I was tempted to give it up I'd see her determinedly pushing through the word counts. When I showed her my winning certificate on the 29th, it pushed her enough to finish over 5,000 words in one day and make goal!

What I Learned From This Year

  • Prepare Before You Start: I don’t outline, but prior years when I wrote a brief summary of the story, or at least a list of plot points I ended up with a more coherent story—that still required heavy editing.
  • Don’t Be A “Yes” Girl: I knew from the start of the month that I’d overextended myself with personal, professional and writing obligations in addition to NaNoWri. But I was too stubborn to miss my favorite month.

Kind of Like My Christmas Tree

As the final days of NaNoWri wound down, the story hung heavy on my mind as we put up our Christmas decorations. Our tree isn’t
one of the ones that is color coordinated, or themed, it’s more of what I like to think of as a memory tree. I buy an ornament for my girls and husband each year to symbolize something from that year. 

As I watched the tree spin on the rotating stand, with it’s collection of ornaments that didn’t quite go together, but each spectacular on their own. I realized that’s kind of how my NaNoWri story turned out this year. 

Now to make those pieces mesh into a perfect whole.

My 2012 NaNoWri Winner!
My 2013 NaNoWri Winner!






Visit My Amazon Author Page for info on all my books.






Happy Holiday! Enjoy this complimentary gift of holiday hacks from my publisher, and the authors, of The Wild Rose Press.
Click Here.
Author Bio: Maureen Bonatch grew up in small town Pennsylvania and her love of the four
seasons—hockey, biking, sweat pants and hibernation—keeps her there. While immersed in writing or reading paranormal romance and fantasy, she survives on caffeine, wine, music, and laughter. A feisty Shih Tzu keeps her in line. Find Maureen on her websiteFacebookTwitter

Tuesday, July 25, 2017

Making Every Word a-Count-able by Nancy Gideon


As an author (and even as a speaker or reader) I LOVE words. The more the merrier! Why grunt a syllable when a mellifluous abundance of adjectives and prepositional phrases can say it so much more eloquently?

At least, that's what I believed while writing my first dozen historical romances. And then, a rude awakening. I was assigned an editor who . . . edited. She didn't share the same appreciation for my every adverb. When I received my revisions, I had to search frantically to find the remaining text! My wonderful, ample paragraphs had undergone a starvation word loss diet. Where was the lyrical poetry of my phrases? How could my nouns and verbs survive without the companionship of all their passive friends? My musically masterful alliteration? Pick one? Seriously?! How is the reader going to know it's important unless I stress how very, very vitally important it is? My manuscripts would come back, every page riddled with red and blue ink, a regular St. Valentine's Day verbiage Massacre!

Jump ahead to present day: I survived. I learned. I had several awesome senior editors who taught me how to self-edit: That middle area between revisions (polishing prose) and line edits (technical accuracy) that improves the quality of the writing to the point my manuscripts would come back almost virginal (except for commas and semi-colons, those little suck ups!). I learned to distance myself from my "ly"s, my dialogue tags, to go all Atkins on my descriptions and to take no prisoners when it came to superfluous phrases . . . but leave my allotment of occasional alliteration alone! Yes, I know it's alliteration. I meant to do that!

The bitter lessons learned makes going through the revision draft of PRINCE OF FOOLS, the third book in my "House of Terriot" shapeshifter series, a poignant exercise instead of a pathological slasher rampage. Though I relish every one of those initial 103,900 words, I accept the fact that my book can live a long, happy life after deleting 7,900 of them (or at least, sending them to live elsewhere as Extra Content!). I know that exchange of witty banter between my H/H is amusing and clever but does it serve a purpose in furthering the plot, or reveal needed information about the characters? No? Out! Brutal but necessary to obtain that lean, mean word count.

So, now that I'm an "accomplished" revisionary, what's the first thing I tell anyone about to self-publish their book? Get a freaking professional editor! I may attempt it at home, but I don't pretend that I am fluent enough in Grammarian to get past all those eagle eye readers. What I can do is prepare the best, cleanest copy possible for that steely penned professional. And to let them know up front, if it's alliteration . . . I meant to do that!

Now, back to page 239. Only 4,000 more of the little buggers to go!

~ ~ ~ ~ ~

Nancy Gideon on the Web



Sunday, November 20, 2016

Layering a Scene with "Character"

I consider myself to be a character driven writer. I spend a ton of time getting to know my hero and heroine. I love learning their quirks and personalities. I also love my secondary characters, because I write series, and I enjoy setting up future books.

The tricky part with writing side characters is giving them a voice without letting them take over the page, but at the same time not letting them just be place holders or "extras" in the scene. Even harder, I find, is writing a cast of characters and not having the voices blend together. I can't say I get it right every time, but I sure have fun trying. :)

My writing technique over the years has evolved into what I call layering. I write the bare bones of a scene. Then I go back over and layer more details in. Usually I have one or two main focuses for a given layer, and I run through any given scene multiple times. The layers are where I get to really add in the characters' flavor and personalities. Can you tell that's my favorite bit?

As an example, here is a scene from a recent release--PSYCHED a short story in the GOOD THINGS anthology--starting with the first draft and then with each subsequent layer.

The hero in the story, Daniel Cain, is the leader of a team of telepathic special agents. In this scene, Cain and his team are playing poker while the heroine is off doing something dangerous.

FIRST DRAFT

Remember, my first draft is always super rough and just the bare bones of a scene. This is where I get the dialogue in and the general actions/reactions.

Cain laid down another hand, and glanced at his phone, which sat, on the ends of the desk. 

Max, Sawyer, and Shaw sat on the other sides as they played poker to pass the time.

“She’ll be fine,” Max said.

Cain grunted and waited for the guys to finish out the hand.

Didn’t take long before Max scooped up the pot. Sawyer shuffled the cards and dealt. Cain checked his. Trash. He waited for the flop. Still trash. He could bluff it out, would usually try that, but instead he folded. And checked his phone again.

“I’ve never seen you like this man,” Shaw commented.

Cain didn’t comment.

“You like her,” Sawyer said.

Cain sat forward. “She’s got guts. I’ll say that for her.”

Max looked up from his cards and pinned Cain with a dark gaze. “This is different.”

Max was right. “Remember our first mission?”

Shaw laid down the turn card. “In Alaska? That cave system holding all the sups?”

“Yeah.”

“You think this is them? We took care of them.”

“All of them,” Max added.

“No. This is not them. But she was there.”

“No way,” Sawyer muttered.

“Quinn was one of the sups they held prisoner?” Shaw asked.

Cain gave a jerky nod.

“How’d you find out?” Max asked.

“She had a nightmare. I touched her, saw everything.”

Max leaned back, studying Cain’s expression. “She the one?”

“Yeah.” After everything had settled in Alaska, Cain had tried to find her. Max had helped, but Delilah had several teams there that day, and another group had taken Quinn to safety.

“I’ll be damned.”

Before anything else could be said, Cain’s phone signaled a message.

LAYER 1 - Sensory Detail and Physical Action

When I go back through the first time I work at filling in a lot of the details. If it's a new scene, I try to incorporate clothing or character's physical descriptions. I add in all five senses where it works (my goal is a sense a page).

Some changes I made:
  • Smell of the room
  • Humidity from the non-working air conditioner
  • Sounds of the city
  • chair hitting the ground

LAYER 2 - World Building

Next I add in some world building. This not only includes setting, but also, where I can adding in details about the world itself. This can include infrastructure, society, rules of the world, etc.

Some changes I made:
  • Added more of a description of the room and how they're playing poker.
  • Got the summer night in the city in there
  • carpeted floor
  • more details about Quinn's rescue and that Cain's team works with other teams out there in a "good guy" capactiy

LAYER 3 - Character Traits and Voices

Then I get more into the characters heads. If the scene involves a group, I might read through it and focus only on one character at a time.

Some changes I made:
  • Added Max rubbing at his scar.
  • Made Shaw's goofier personality come through as well as Sawyer's tendency to be the observant/quieter twin
  • Snuck in a hint that Shaw's telepathic ability has to do with mechanics
  • Max is Cain's best friend - hopefully that comes across with him helping Cain search for Quinn

LAYER 4- Internal Reactions

This is a new layer for me, added recently when some great beta reader pointed out how many opportunities I'd missed to include the main character's internal reactions. So now I go back through and try to look for those specific opportunities, which helps me build that character more as well.

Some changes I made:
  • This is mostly for Cain. I tried to convey how nervous he was for the heroine without him saying it out loud or thinking the actual words. Smaller details like:
    • "distrubling silent" phone
    • checking the phone over and over
    • how the other's react to him
    • added actual thoughts like not wanting to be weak in front of his team

LAYER 5 - Edit and Tighten

Finally, I go through the scene and "fix" all my bad habits. I have a list a mile long that I search for key words and then reword or redo entire paragraphs to fix it. Anything from overused words like "that" or "mutter," to concepts like talking heads (all talk no action), and more. I try to fix grammar here too.

Final Result

Here is the final result for this scene (at least, before my beta readers got their hands on it). What do you think? Are the characters more clear to you now? Can you picture them and what's going on?

Cain laid down another hand, and glanced at his phone, which sat, disturbingly silent, on the end of the desk. The hotel room only had the one piece of furniture they could use as a poker table, so they’d dragged the desk to the center of the room. Sawyer and Shaw sat on the end of the bed, using one long side. He and Max had grabbed the chair and stool and took the two short sides.

They dressed like they were off duty—jeans and t-shirts—which bugged him in a weird way. Quinn was out there and he wasn’t even dressed to react quickly.

“She’ll be fine.” Max rubbed at the scar on his wrist hidden under the leather band he always wore. Clearly, he didn’t believe that any more than Cain did.

Cain grunted and waited for the guys to finish out the hand. He ignored the trickle of sweat running down his back. The air-conditioner was a piece of junk even Shaw couldn’t fix without new parts. The heat and humidity of the summer night blew in through the open window, along with the noises of the city. The breeze did little to alleviate the smell of sweat and humanity permeating the room.

Didn’t take long before Max scooped up the pot. Sawyer shuffled the cards and dealt. Cain checked his. Trash. He waited for the flop. Still trash. Sure he could bluff it out, in fact, he’d usually try that, but instead he folded. And checked his phone again.

“I’ve never seen you like this man.” Sawyer’s gaze remained on his cards.

Tipping his chair back, Cain ran his hand over his beard and didn’t comment.

“You like her.” Sawyer’s uncanny powers of observation had nothing to do with his telepathy, but Cain often thought it might as well have.

Cain sat forward, the legs of his chair hit the carpeted floor with a muffled thud. “She’s got guts. I’ll say that for her.” No way was he going to voice his real opinion. His team needed him to lead, not turn into a sappy, distracted ass.

Max glanced up from his cards and pinned Cain with a dark, unwavering gaze. “This is different.”

Max was right. The level of his interest in Quinn scared the hell out of Cain. “Remember our first mission?”

Shaw laid down the turn card. “In Alaska? That cave system holding all the sups?”

“Yeah.”

Sawyer frowned over the cards in his hand. “You think this is them? We took care of them.”

“All of them,” Max added, a hard light in his eyes.

“No. This is not them. But she was there.”

All three of his men jerked their heads up to stare at him.

“No way,” Sawyer muttered.

“Quinn was one of the sups they held prisoner?” Shaw asked.

Cain grunted an affirmative. Not the youngest being held, but close. Cain glanced down and shock pinged through him at the sight of his own clenched his fists. With a shake, he forced his hands to relax under the table where the others couldn’t see.

“How’d you find out?” Max asked.

“She had a nightmare. I touched her, saw everything.”

Max leaned back, studying Cain’s expression. “She the one?”

“Yeah.” After everything had settled in Alaska, Cain had tried to find her. Max had helped, but Delilah had several teams there that day, and another group had taken Quinn to safety.
Max’s eyebrows shot up. “I’ll be damned.”

Exactly.

“So let me get this straight,” Sawyer leaned his elbows on his knees. “She set herself up to be taken into the same situation we rescued her from?”

“Yes.”

“Guts doesn’t begin to cover it,” Sawyer muttered.

Also right.

“How’d you let her go, man?” Shaw asked only to be cuffed by his brother over the head. 

“Ow! What was that for?” He threw his cards at his brother.

“You’re about as sensitive as a knife to the gut.” Sawyer tipped his chin at Cain.

Shaw’s frown cleared. “Oh. You have a thing for Quinn. I get it.”

Before Sawyer could whack his brother in the head again, Cain’s phone signaled a message.


HAPPY THANKSGIVING and best of luck to all the NaNoWriMo writers out there! :)