Showing posts with label Kindling the Darkness. Show all posts
Showing posts with label Kindling the Darkness. Show all posts

Saturday, December 7, 2019

Ghosts of Yuletide Past by Jane Kindred

It’s that time of year again. I’m watching my Christmas ghost stories: A Christmas Carol and It’s a Wonderful Life. I have several copies of ACC (my goal is to own every version ever made), and I watch all of them every year, from the 1951 Scrooge with Alastair Sim (hands-down, the best traditional version) to A Muppet Christmas Carol (which is honestly the best version, period) to Bill Murray’s quintessentially 1980s Scrooged to the I'm-not-crying-you're-crying Doctor Who: A Christmas Carol. I wish there were more of them. And I wish there were more winter holiday ghost stories in general.

I understand it’s a British tradition—Brits, feel free to weigh in on this—to enjoy ghost stories around this time of year (particularly on Christmas Eve), of which Dickens Carol is the most famous example. In thinking about why ghost stories might be particularly associated with this time of year, as opposed to at Halloween, as is the custom in the US, I happened upon my own blog post from December 2017, talking about the research for The Dragon’s Hunt, Book 3 in my Sisters in Sin series, which has to do with The Wild Hunt.

Leo Ström, the hero in that book, was Swedish (a thousand-year-old Swedish Viking, to be exact), so his Wild Hunt tradition came from the Norse legends. Odin’s Hunt rides at the time of year when the veil between the living and the dead is considered to be at its thinnest, from Álfablót (the Norse equivalent of the Day of the Dead around Halloween time) through Yuletide, a twelve-day festival starting with the Winter Solstice—from whence came The Twelve Days of Christmas. But there are other Wild Hunt traditions, such as the Welsh tradition, over which my half-Welsh hero, Oliver, in Kindling the Darkness bonded with Leo.

To follow that meandering tangent back to where I started, it occurred to me that maybe the pagan response to the darkest quarter of the year—that feeling of being in the presence of the dead during the thinning of the veil—was one of the inspirations for the tradition of Christmas ghost stories. Christmas, after all, is really just appropriated Yuletide. Sorry, Christians, but it is; Jesus was born in June. But it’s okay. We pagans understand why you like our stuff. ;) As much as the holiday has been sugarcoated, it’s still about whistling past the graveyard and hanging little twinkling lights to ward off the darkness and offer up sacrifices to ensure the return of the sun.

Whatever the reason, I wish ghost-stories-at-Yuletide was a bigger thing in the US—and that paranormal romance had more Christmas ghosts. Maybe it’s time to write my own holiday haunt.

By the way, if you’re looking for a Christmas-themed paranormal romance, The Dragon’s Hunt is set at Christmastime in Sedona, Arizona (and it’s lovely there). The Carlisle sisters are all big fans of the Yuletide holiday, whatever anyone wants to call it, and there are trees and lights and wassail. Psst, Hallmark, maybe you’d like a nice paranormal Christmas movie for your lovely channel? My agent is Sara Megibow at KT Literary. ;)

For more holiday-themed paranormal romance, see Abigail Owen's post about the Christmas After Dark anthology, featuring her story "The Wolf I Want for Christmas."

* I typo-ed this as The Dragon’s Hung at first, and now I have an idea for a Leo Ström erotic short. Ha.

Tuesday, August 7, 2018

Hot off the Presses! Release Day for KINDLING THE DARKNESS by Jane Kindred


Today is a bittersweet release day: Kindling the Darkness is the last in my Sisters in Sin series from Harlequin Nocturne, which closed in early 2017. The three half sisters of the Carlisles—Laurel, Rowan, and Rosemary—were destined to take things to their conclusion—and possibly change the world. Maybe at some point in the future, I’ll decide to revisit their stories, but for now, I’m happy to have the series finale tell the story of Lucy Smok—twin sister of Lucien Smok, aka the Prince of Darkness.

Lucy may be one of my most difficult heroines. I won’t be surprised if some readers don’t care for her. She’s prickly and conflicted, and she’s super hard on herself. But she’s also one of my favorite heroines, for those same reasons.

From a young age, she’s had to take on too much responsibility, taking the brunt of her father’s authoritarian abuse while Lucien played the irresponsible rake. At only 25, already having spent years managing the family’s paranormal consulting business and now the head of Smok Pharmaceutical in the wake of her father’s death, she finds it impossible to make human connections. Lucy is used to having one-night stands for practicality’s sake—scratch the itch when it’s needed so she can get back to concentrating on business. Feeling betrayed by her father and abandoned by her mother—and left holding the bag when Lucien descended to Hell’s throne—she’s resorted to dangerous coping mechanisms, including projecting a cold, caustic personality. Her one pleasure is hunting down Hell’s escapees—and choosing her favorite gun to do it. Frankly, she’s a mess. And I can totally relate to her.

Oliver Connery, on the other hand, is probably one of the most grounded heroes I’ve written. He’s older than my usual hero, and he’s had time to work out what he believes in and what’s important to him. He brings his groundedness and calm to Lucy as a stabilizing force—even when she resists that stability—and, more importantly, he doesn’t try to take the lead—in business or in love. As young as Lucy is, Oliver quickly recognizes that she’s as experienced as she claims to be in tracking paranormal fugitives—and can not only hold her own against monsters but can kick Oliver’s ass if she needs to.

Oliver, of course, isn’t without his own problems. He’s spent years blindly following orders—first in the Marines and later in a secret paramilitary organization whose mission was tracking and capturing paranormal creatures for experimentation. It was the death of his wife and fireteam partner that finally made him take stock of what he was doing and what he wanted out of life. Now he’s happily hiding out in the small mountain town—and thriving “ghost town”—of Jerome, Arizona, acting as the unofficial protector of Jerome’s paranormal community. That is, until Lucy shows up, shooting first and asking questions later.

While we’re on the subject of Oliver, I need to say something about the cover. Oliver is half Navajo and half Welsh, with cinnamon-brown eyes and skin to match, and his hair is a heavily salted dark brown. As you can see, the Oliver on the cover is blond and blue-eyed with light skin. The design process didn’t permit me to see the cover until it was final, so although I tried to get it changed, there wasn’t really anything they could do at that point. Harlequin has done a wonderful job with my covers, and this is the first time they’ve missed the mark, but I just wanted to acknowledge that this is not representative of Oliver.



Kindling the Darkness (Sisters in Sin, #5)


He Wants Redemption... She Only Knows Damnation
Oliver Connery left a secret paramilitary group because he couldn't stand the thought of torturing supernatural beings. Lucy Smok's mission is to send infernal creatures back where they came from. When Lucy learns that Oliver has been harboring hellhounds, she wants to think of him as an enemy—and Oliver wants to think the same of her. But their feelings for each other are another story...

Available now from the following retailers:

Amazon | B&N | Book Depository | BAM! | Booktopia | iBooks | Kobo


Excerpt

Climbing back up to the car took a monumental effort. Lucy leaned back in the driver’s seat and closed her eyes just for a moment. When she opened them, the stars visible through the windshield had shifted significantly. The clock on the dash read two in the morning. Her muscles ached, and her shoulder was killing her. She touched her fingers to the torn cloth over the bite; it was soaked with blood. There was no way she was going to make it home like this. And she knew the address of exactly one person in Jerome. He’d said he lived in the building his shop was in, which meant the upstairs must be his residence.

Lucy drove back to Main Street in Jerome and managed to find parking in front of Delectably Bookish once more. Her head swam, and the ground dipped and swayed as she got out of the car. Lucy gripped the post beside the entrance of the shop to steady herself and pounded on the door.
A light came on above, followed by the lights in the shop a moment later. Oliver Connery appeared, shirtless, salty hair askew and glaring furiously out of those cinnamon-brown eyes as he unlocked the door.

“What the hell is—?” He stopped, staring openmouthed as he took in her appearance. “Jesus. What happened? Come inside.” Oliver put an arm under hers and led her in to sit on one of the couches. “The werewolf?”

“I’m even more sure now that it’s not a werewolf.” Lucy rubbed her brow with the back of her wrist. “It’s incredibly fast and resilient—and strong—and it shifts with the wind, like it just decides when it wants to be human.”

Oliver had gone to the café counter to grab some towels, and he returned with them, shaking his head as he pressed one to the shredded shoulder. “I knew this was a bad idea.”

“I assure you, I’m perfectly capable of handling this thing now that I know what I’m up against.” She was sure of no such thing, but she wasn’t about to listen to more of his criticism of her age and experience. Or implicit criticism of her sex.

“So you didn’t kill it.”

Lucy grabbed the towel from his hand. “It wasn’t for lack of trying. You need to get over this idea that all lycanthropes are misunderstood people who need to be given a chance. This thing is a monster.”

“That isn’t what I meant.” Oliver frowned down at her. “You’re going to have to take that suit off. We need to disinfect the bite, and you’re probably going to need stitches.” He held out his hand. “Come with me.”

Lucy bit back another retort about being fine and not needing any help and instead took his hand to let him pull her up from the couch. Because as much as she hated to admit it, right now, she was not fine.

Upstairs in the bathroom of Oliver’s apartment, Lucy peeled off the torn suit and blood-soaked white shirt—both of them ruined by her transformation before the creature’s teeth had even sunk in—and sat begrudgingly on the covered toilet to let Oliver clean the wound and sew her up. “I can do that myself,” she complained between gritted teeth. “I know how to stitch up a wound.”

“Oh, for God’s sake, stop trying to impress me. I get it. You’re experienced. You’re tough as nails. You’re a total badass.”

“I’m not trying to—”

“That wasn’t sarcasm.” Oliver glanced up, his cinnamon eyes dark with concern. “I am impressed. I’m also very worried about this bite. If it’s a werewolf—”

“It’s not a werewolf. And…I happen to be immune.”

Oliver’s dark brows drew together. “Immune?”

“One of the perks of owning a biotech firm that specializes in parapharmacology.”

“I see. I don’t suppose that particular pharmaceutical is on the market for ordinary folk?”

“It’s part of a limited trial.”

Oliver’s jaw tightened, but he said nothing else.

As he tied off the stitches in her shoulder, Lucy became acutely aware of the fact that she was sitting here in his bathroom in her bra and underwear while he was wearing nothing but a pair of flannel pajama bottoms. One of the other aspects of her heightened senses at this point in her cycle was unusually intensified sexual desire.

After putting the first aid kit away, Oliver glanced up and seemed to realize her state of undress as well. “Let me get you a robe.” He slipped out of the bathroom and returned with one in blue-and-black flannel that matched his pants.

“Thanks.” Lucy rose and attempted to slip her left arm gingerly into the sleeve and nearly pitched forward into him.

Oliver steadied her, instinctively avoiding her arm and shoulder, instead catching her about the waist. His hands nearly circled her. Lucy looked up into his intense russet eyes. There were similar-colored highlights in the salt-and-pepper hair, and what she’d thought of as a tan was a matching cinnamon-bark undertone in his skin, evenly warm…everywhere.

Saturday, April 7, 2018

So I Wrote a Devil Book... by Jane Kindred

When I started writing Sisters in Sin, I knew the Devil would eventually show up. After all, these sisters seem to have an uncanny ability to attract serpent-identified dudes, and Satan is the ultimate serpent. What's more, the Carlisle sisters are linked to the original temptress—not Eve, but Lilith. But I didn't expect to be writing Theia's story quite yet. There were three other sisters' stories still to tell.

The publishing biz being what it is, we didn't quite get to sisters five, six, and seven. Which I'm actually okay with. I may come back to them at some point in the future, but their stories are complicated and maybe aren't mine to tell. But I did manage to write a final companion story, Kindling the Darkness, which comes out later this year.

At any rate, Theia's story, Seducing the Dark Prince, had to be moved up. Which meant Lucien had to make his appearance. Now, Lucien isn't literally Satan, but to elaborate would mean giving too many spoilers, so suffice it to say, Lucien has issues. As you might infer from the cover, he has a bit of an Oliver Queen (the Green Arrow) complex. What he's doing nocking an arrow with his shirt off, I don't know. But who's complaining?

One of my favorite things about Lucien is that he isn’t an alpha hero. He tries to project an alpha façade, but Theia sees right through it. And when he gets in over his head with one of my actual alphas, well, let’s just say, that was my favorite scene to write.

The whole gang is here in Book 4—all of the Carlisle sisters and their dragon-shifter beaux. And a certain character you probably wish was dead rears his ugly head again. But I promise, he’ll get his comeuppance. As Evie says to Beni in The Mummy (the good one, with Brendan Fraser and Rachel Weisz), "Nasty little fellows such as yourself always get their comeuppance... Always."

Hell Might Be Heavenly...for One of the Sisters in Sin

Lucien Smok is heir to the Smok fortune. He's also the crown prince of Hell, a legacy he despises. Clairvoyant Theia Dawn tries to convince herself that she's only interested in Lucien because of his family's role in the persecution of her ancestor, not because he's the most beguiling man she's ever met. The attraction that burns between them might be her downfall. Or it might be his salvation.

Seducing the Dark Prince is available now from the following retailers:

Amazon.com | Barnes & Noble | BookDepository.com | BAM | Booktopia | iBooks | Kobo

Wednesday, March 7, 2018

Downtime by Jane Kindred

I’ve been writing nonstop for more than 10 years—professionally for 7—completing almost 3 books a year for the last 6. Last week, I reviewed the galleys for Kindling the Darkness, my final contracted book in the Sisters in Sin series. And now I have no idea what to do.

It’s kind of nice to be able to take a breather, to not have a deadline looming. On the other hand, I don’t know what normal people do with their time. I’m pretty much doing nothing (other than the day job). I have time to read, finally…and I don’t know what I want to read.

For as long as I can remember, I’ve had stories running constantly in the background of my mind, like a program that’s always running on your computer while you’re using other applications. It’s how I’ve always fallen asleep at night, dreaming up worlds and watching love stories play out in my head. And for the first time, I have no characters in there jostling for my attention. It’s quiet. And weird. Quite possibly, I'm depressed. But I don't really care. (Which is probably a sign that I'm depressed.)

You’d think all this existential contemplation would give me plenty of time to come up with entertaining content for blog posts, but, haha, joke’s on you.

Absent any productive ideas, I’ve been watching a lot of Murder, She Wrote. It’s different now, watching Jessica Fletcher deal with life as a published author. When I watched the show the first time around, it was my dream to be her. (I’m also much closer to Jessica’s age. Today, at Walgreens, the checker asked me if I qualified for the senior discount. Okay, so I‘ve been going gray since I was in my 30s, but at 51, I’m not ready for senior discounts yet, thanks. Or as the lovely lady on the Estroven commercial that plays constantly during my old-lady show, Murder, She Wrote, says, “I’m not ready for elastic waistbands!” Now, where was I? Oh, right; insisting that I’m not old. At any rate, I was buying this at the time, so you be the judge:



I also recently bought hair color to match. But that’s neither here nor there, I’ve been doing that for years.)

So me and the Peep (of course it's "the Peep and I," but I must admit, I like the sound of Me and the Peep; it’s a buddy cop show waiting to be written) are sitting here watching Jessica go to writers’ conferences and work on deadlines and snap at her best friend for interrupting her writing flow and put up with mansplaining dudes who belittle her genre, and I’m just nodding along. This is, in many ways, my life (minus the murders and the mad success). But I am, it seems, living the dream.

It isn’t exactly what I expected, but I edit for a steady paycheck by day and write fantastical romance by night that a few people read, and I think my teenage self would be pleased. Now if I could just snap out of this “four-poster dull torpor” and get back to making things up for strangers, that’d be grand.

Sunday, January 7, 2018

Deadlines, Laundry, and Yowling Cats by Jane Kindred


That’s what my life consists of right now. Book 5 in the Sisters in Sin series, Kindling the Darkness, is due to my editor on Wednesday. I managed to finish the first draft on Christmas Eve, but since 40,000 words of it were written during NaNoWriMo, it’s requiring a LOT of work to get it submission ready. My revision process involves reading through for typos and errors and making comments on the big things that need fixing. Then I take all of the comments and put them in a to-do list. This one had 41 to-dos, ranging from “add more mentions of the weather and time of year” to “why are there no guests at this B&B, ever?” to “what is the nature of the hell beast and what is it actually doing in this town? Delete all of this and try to make sense!”

Mentions of the weather I can fix pretty quickly. The B&B is now a bookstore and café, because guests would only get in the way (which is probably why I forgot to have any). But the nature of the evil that’s hunting my heroine and being hunted by her? Probably should have figured that out on page one. Sigh.

I’ve fixed all but five of these disasters (and added three, because, sure, let’s change the damn bookstore again), but the big one is still looming. I’ve worked out the beast’s nature, but the actions it’s taken are still a problem. That’s okay. I have one last weekend and two day job workday evenings left. I can do this.

But not if this cat doesn’t shut up. Have you ever had a seventeen-year-old, half-deaf cat? This one is bored, clingy, and loud. And he does not approve of writing novels. Or blog posts. Or answering email. He pretty much only approves of being fed and sitting on my lap while I watch television. (No reading Twitter while the cat is sitting, please!)



Despite the feline disapproval, I had a good start on the revisions this morning. But it was laundry day, and with only one pair of clean underwear left, I could no longer put it off. (I seriously envy anyone who actually owns a washer and dryer. I’ve been going to Laundromats for 34 years and I am really, really tired of it. When you reach your 50s, you get tired of a lot of stupid things. Like this virtual doughnut of fat that’s collecting around my middle. But I digress. Because doughnuts. Dammit. Why did I think of doughnuts??)

So I’m back from the laundry, and I remembered another deadline: writing this blog post. How does it always manage to surprise me each and every single month? Well, lucky you, you got to read about how I ended up writing about deadlines, laundry, and yowling cats.

I would like to say that my New Year’s resolution is to write my blog posts in advance, but that would be an utter lie, so let’s just pretend my resolution is not to eat any more doughnuts.

As a bonus, my favorite line from Kindling the Darkness: “Well, actually, hell isn’t really that different. It’s just on another…” He stopped and rolled his eyes. “Oh, for f***’s sake. I’m devilsplaining. Never mind. Let’s eat, drink and be merry!”

Saturday, November 11, 2017

Pardon the Mess, Writer in Progress by Jane Kindred


It’s November, which means scores of manic authors trying to write 50,000-word novels in 30 days. For some, ain’t no thang. For writers like me, it’s damn near impossible. But I have done it once, with The Prince of Tricks.

Although my current WIP was already at 10,000 words, I decided to take advantage of NaNoWriMo to try to kick my butt into gear because my deadline is looming. As I leap headlong into my latest book in the Sisters in Sin series, Kindling the Darkness, I’ve also been finishing up the revisions for Book 4, Seducing the Dark Prince.

Since a meaty blog post is beyond me at the moment, and Lucien, the dark prince, is still fresh in my mind, I thought I’d introduce you to him.

Excerpt from Seducing the Dark Prince


Like the ethereal substance his last name evoked, Lucien Smok was breathtaking—literally. The moment Theia saw him across the temple reception hall, the air rushed from her lungs as though it had been sucked into a vacuum. Pale blue eyes like pieces of ice locked on hers from beneath long lashes, dark brows in an ivory face lifted in amusement above them as if he was well aware of the effect he was having on her.
She’d seen him before somewhere. In a dream or a dark premonition. Beneath the reception hall’s Baroque quadratura-painted ceiling—invoking the blessing of the gods of Olympus—he reminded her of a painting by Waterhouse, Narcissus winking just for a moment at the viewer before returning to his reflection.
But beautiful or not, this wasn’t some breathless lust at first sight. She really couldn’t breathe.
Theia clutched at her throat and tried to make a sound, but nothing came out. Her lungs were locked in a spasm, convulsively trying to take in air against some obstruction.
Her dark-haired Narcissus crossed the reception hall in two swift strides and embraced her from behind, arms wrapped around her waist and hands clasped tight beneath her breasts, a gesture of intimacy. Vertigo swam over her, making her feel as though she were floating within herself, a lighter-than-air balloon encased in a human frame, bobbing against its edges.
He hugged her forcefully, jolting her against him, almost off the ground—once, twice, thrice.
Another spasm of her diaphragm forced what remained of the air in her lungs through her windpipe and dislodged the champagne grape she’d swallowed wrong. Such a small thing to cause so much trouble.
Air rushed in so quickly that she choked on it, gasping and coughing until tears ran down her cheeks.
“All right now?” The soft voice at her ear brought her fully back to herself. His hold around her hadn’t loosened and was decidedly more intimate than it had been when he’d been performing the Heimlich on her.
Theia realized she’d relaxed into his embrace, her arms sliding around his, and she let go with a jolt and bolted from his grasp. Though the moment had seemed epic and prolonged, none of the other guests were paying any attention.
His smile was one-sided—a slight leftward lift that combined amusement, smugness and a hint of offense. “You’re welcome.”

About Seducing the Dark Prince

He’s the man of her dreams…too bad they’re all nightmares

Lucien Smok is the heir to the Smok fortune—ostensibly made in biotechnology but secretly amassed by providing “paranormal cleanup” services since the 15th century…for a price: Lucien must collect a soul from every client. Hating the family business, Lucien secretly hunts down the unnatural beings the family has allowed to get away with murder. He’s never spared anyone with a demonic connection. That is, until he meets Theia Dawn, a clairvoyant whose power comes from demon blood.

After finding out that Lucien’s family was instrumental in the downfall of her distant ancestor who was burned at the stake, Theia takes a job at Smok Biotech to find out more about his family and what they’re really up to. She tries to ignore her growing attraction for Lucien and the suspicion that she’s seen him somewhere before. Her dreams have warned her about falling for a dark prince, and she fears Lucien is the one. But when Theia learns about Lucien’s secret rebellion against his family, she’s drawn deeper under his spell.

Lucien tries to resist the fate foretold by the Smok family legend, but he finds he can’t resist Theia. But will she save him from his fate or end up being the catalyst for the transformation that will send him straight to hell?