Most writers have come across Joseph Campbell’s Hero’s Journey, probably the best known story structure. Campbell's journey has 17 stages divided into three parts: separation, initiation and return. Christopher Vogler modified it to make 12 stages that broke down into easily understandable segments such as the Call to Adventure followed by the Refusal to the Call followed by Meeting the Mentor. Despite the simplification, this arrangement can be intimidating with too many details to consider. After all, not everyone wants to write a grand epic. But if a guideline still appeals, consider a more streamlined approach with the Three Act Story Structure.
The Three Act Story Structure is just like it says, the
story is divided into the three parts consisting of a Setup, Confrontation, and
Resolution.
Part 1: Setup
Exposition
The exposition contains the set-up or enough details for the
world to make sense to the reader. Think of it as where the world is ‘explained’.
Science fiction and fantasy might have more initial setup. If you’re writing
science fiction on a space station, you need to make certain the reader knows
the location isn’t Earth. A romantic fiction set in modern times would require
less description to set the tone that the heroine works in an office in New
York City. Avoid a massive info dump. Details should be sprinkled throughout
and not shoveled on the reader in paragraph after paragraph. Rules of behavior should
also be introduced. Readers should quickly gain a sense of the characters’
temperaments.
Inciting Incident
This sets the story in motion and introduces Plot Point One.
The hero or heroine meets a challenge. For science fiction it could be an alien
invasion. For a fiction it might be a job loss that shakes up the protagonist’s
life. Either way, this marks the start of the main characters’ physical,
mental, or emotion journey.
Part 2: Confrontation
Rising Action
The second part (and the meat of the story) contains the Rising
Action. The story's true stakes become clear; our heroine has her first
encounters with enemies and allies. The challenges and pitfalls become defined.
Midpoint
An event that upends the protagonist’s mission. It
introduces other challenges and generally involves a large setback, either
physically, emotional, or intellectually (or all three.)
Plot Point Two
After the conflict in the midpoint, the protagonist needs to
regroup, reexamine, or reattack. The protagonist is definitely tested and
failure is most certainly an option. Doubts arise concerning success. Is it
possible with the resources at hand?
It’s important to note that Part 2 may occur more than once as the protagonist overcomes challenges and meets new ones.
Pre Climax
The lowest of the low points. In a last ditch effort, the
protagonist overcomes obstacles and takes decisive action. Failure is still an
option
Climax
The final confrontation between protagonist and antagonist
and the ultimate resolution.
Denouement
Tie up those loose ends and detail the consequences of the
climax. How has the status quo changed? And any happily ever after should be
obvious to the reader.
L. A. Kelley writes science fiction and fantasy adventures with humor, romance, and a touch of sass. Her life is a three act story structure stuck on denouement.
5 comments:
Great post. I'm more familiar with Vogler's 12 steps than I am with the 3 Act Structure. You explain it so well. I think most of us write a story instinctively. Campbell, Vogler, & the 3 Act help us refine our stories. Thanks for sharing.
Great explanation! I use a similar one, but it's geared for romance stories. They all definitely help keep the action going in any story.
Thanks for an interesting post. Though when I'm writing, I don't think in these terms, if I go back and check, the story follows them.
Excellent post! Though when I’m writing, I’m a panster , I don’t think about these plot points, but about 2/3 through the story are usually check and see if I’ve hit these. Thanks for sharing!
Oops should have been I not are in the comment above.
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